Reality television is a genre of television programming that presents purportedly unscripted dramatic or humorous situations, documents actual events, and usually features ordinary people instead of professional actors, sometimes in a contest or other situation where a prize is awarded. The genre, which has existed in some form or another since the early years of television programming, exploded as a phenomenon around 1999–2000 with the success of such television series such as ''Big Brother'' and ''Survivor''. Programs in the reality television genre are commonly called reality shows and often are produced in a television series. Documentaries and nonfictional programming such as television news and sports television shows are usually not classified as reality shows.

The genre covers a wide range of television programming formats, from game show or quiz shows which resemble the frantic, often demeaning Japanese variety show shows produced in Japan in the 1980s and 1990s (such as ''Gaki no tsukai''), to surveillance- or voyeurism-focused productions such as ''Big Brother.''

Reality television frequently portrays a modified and highly influenced form of reality, at times utilizing sensationalism to attract audience viewers and increase advertising revenue profits. Participants are often placed in exotic locations or abnormal situations, and are often persuaded to act in specific scripted ways by off-screen "story editors" or "segment television producers", with the portrayal of events and speech manipulated and contrived to create an illusion of reality through direction and post-production editing techniques.

History

1940s–1950s

Precedents for television that portrayed people in unscripted situations began in the 1940s. Debuting in 1948, Allen Funt's hidden camera ''Candid Camera'' show, (based on his previous 1947 radio show, ''Candid Microphone''), broadcast unsuspecting ordinary people reacting to pranks. It has been called the "granddaddy of the reality TV genre". In 1948, talent search shows ''Ted Mack's Original Amateur Hour'' and ''Arthur Godfrey's Talent Scouts'' featured amateur competitors and audience voting. The ''Miss America'' Pageant, first broadcast in 1954, was a competition where the winner achieved status as a national celebrity.

In the 1950s, game shows ''Beat the Clock'' and ''Truth or Consequences'' involved contestants in wacky competitions, stunts, and practical jokes. The Groucho Marx-hosted game show, You Bet Your Life, was primarily composed of Marx' prescripted comebacks to what was most often candid interviews of the contestants, although some 'contestants' were actors.

The radio series ''Nightwatch'' (1951–1955), which tape-recorded the daily activities of Culver City, California police officers, also helped pave the way for reality television. The series ''You Asked For It'' (1950–1959), in which viewer requests dictated content, was an antecedent of today's audience-participation reality TV elements, in which viewers cast votes to help determine the course of events.

1960s–1970s

First broadcast in the United Kingdom in 1964, the Granada Television series ''Seven Up!'', broadcast interviews with a dozen ordinary seven-year-olds from a broad cross section of society and inquired about their reactions to everyday life. Every seven years, a film documented the life of the same individuals during the intervening period, titled ''7 Plus Seven'', ''21 Up'', etc. The series was structured as a series of interviews with no element of plot. However, it did have the then-new effect of turning ordinary people into celebrities.

In the 1966 Direct Cinema film ''Chelsea Girls'', Andy Warhol filmed various acquaintances with no direction given; the ''Radio Times Guide to Film 2007'' stated that the film was "to blame for reality television."

The first reality show in the modern sense may have been the 12-part 1973 PBS series ''An American Family'', which showed a nuclear family going through a divorce; unlike many later reality shows, it was more or less documentary in purpose and style. In 1974 a counterpart program, ''The Family'', was made in the UK, following the working class Wilkins family of Reading. Other forerunners of modern reality television were the 1970s productions of Chuck Barris: ''The Dating Game'', ''The Newlywed Game'', and ''The Gong Show'', all of which featured participants who were eager to sacrifice some of their privacy and dignity in a televised competition. ''One Man and His Dog'' was a British Television series which began in 1976 featuring the participants of sheepdog trials. In 1978, ''Living in the Past'' recreated life in an Iron Age English village.

1980s–1990s

Reality television as it is currently understood can be directly linked to several television shows that began in the late 1980s and early 1990s. ''COPS'', which first aired in the spring of 1989 and came about partly due to the need for new programming during the 1988 Writers Guild of America strike, showed police officers on duty apprehending criminals; it introduced the camcorder look and cinéma vérité feel of much of later reality television. Canadian TV ran ''Thrill of a Lifetime'' a fantasies fulfilled reality show from 1982-88 which was revived in 2001-03.

The series ''Nummer 28'', which aired on Dutch television in 1991, originated the concept of putting strangers together in the same environment for an extended period of time and recording the drama that ensued. ''Nummer 28'' also pioneered many of the stylistic conventions that have since become standard in reality television shows, including a heavy use of soundtrack music and the interspersing of events on screen with after-the-fact "confessionals" recorded by cast members, that serve as narration. One year later, the same concept was used by MTV in their new series ''The Real World'' and ''Nummer 28'' creator Erik Latour has long claimed that ''The Real World'' was directly inspired by his show. However, the producers of ''The Real World'' have stated that their direct inspiration was ''An American Family''.

According to television commentator Charlie Brooker, this type of reality television was enabled by the advent of computer-based non-linear editing systems for video (such as those produced by Avid Technology) in 1989. These systems made it easy to quickly edit hours of video footage into a usable form, something that had been very difficult to do before. (Film, which was easy to edit, was too expensive to shoot enough hours of footage with on a regular basis).

The TV show ''Expedition Robinson'', created by TV producer Charlie Parsons, which first aired in 1997 in Sweden (and was later produced in a large number of other countries as ''Survivor''), added to the ''Nummer 28''/''Real World'' template the idea of competition and elimination, in which cast members/contestants battled against each other and were removed from the show until only one winner remained. (These shows are now sometimes called elimination shows).

''Changing Rooms'', a TV show that began in 1996, showed couples redecorating each others' houses, and was the first reality show with a self-improvement or makeover theme.

2000s

Reality television saw an explosion of global popularity starting in the summer of 2000, with the successes of ''Big Brother'' and ''Survivor'' (in the US).

In particular, ''Survivor'' and ''American Idol'' have topped the US season-average television ratings on several occasions. ''Survivor'' led the ratings in 2001–02, and ''Idol'' has topped the ratings six consecutive years (2004–05 through to 2009–10). The shows ''Survivor'', the ''Idol'' series, ''The Amazing Race'', the ''America's Next Top Model'' series, the ''Dancing With The Stars'' series, ''The Apprentice,'' ''Fear Factor'' and ''Big Brother'' have all had a global effect, having each been successfully syndicated in dozens of countries.

Reality television lost its viewers' appeal after the September 11 terrorist attacks. Low ratings weighed heavily on reality shows such as ''The Amazing Race'', ''Lost'' (unrelated to the better-known serial drama of the same name) and ''The Mole''. B. J. Sigesmund of Newsweek provides three reasons for the low ratings. The first reason was selecting the right time slot for the shows. He said that “Lost” and “The Amazing Race” debuted September 5, 2001 but they went off the air for three weeks in the events of the terrorist attacks. The second reason was that there was an oversaturation of reality shows coming out in one season. September 5 saw the debut of shows like ''Big Brother'', ''Pop Stars'', ''Temptation Island'', ''Boot Camp'', ''Survivor'' and ''The Mole'' in the same night on different networks. The third reason was the issue of quality. He said that, “A great show like ''Survivor'' will always do great numbers. The good shows only do good numbers. And the bad ones fall by the wayside.”

Less than 12 new reality television shows debuted during the 2002 summer season. One of them was ''Houston Medical'', a reality shows that goes behind the scenes with four doctors. The difference between reality television and other genres is that there are no writers, no scripts or actors involved. Reality television involves unknown stars in front of the camera. One reality show that debuted during the 2002 summer television was NBC’s ''Dog Eat Dog'', a game show that combined the elements of ''Fear Factor'' and ''Weakest Link''. Reality television has given the networks the ability to find creative and diverse shows that have led them to serious dramas and continue into the next season. Peyser concluded that television will continue to try reality programs, no matter what the season.

There have been at least three television channels devoted exclusively to reality television: Fox Reality in the United States, launched in 2005, Global Reality Channel in Canada in 2010, and Zone Reality in the United Kingdom, launched in 2002. (The Canadian and British channels still exist; Fox Reality ended in mid-2010). In addition, several other cable channels, such as MTV and Bravo, feature original reality programming as a mainstay. Mike Darnell, head of reality TV for the US Fox network, was quoted as saying that the broadcast networks (NBC, CBS, ABC and Fox) "might as well plan three or four [reality shows] each season because we're going to have them, anyway."

During the early part of the 2000s, network executives expressed concern that reality-television programming was limited in its appeal for DVD reissue and syndication. Despite these concerns, DVDs for reality shows have sold briskly; ''Laguna Beach: The Real Orange County'', ''The Amazing Race'', ''Project Runway'', and ''America's Next Top Model'' have all ranked in the top DVDs sold on Amazon.com, and DVDs of ''The Simple Life'' have outranked scripted shows like ''The O.C.'' and ''Desperate Housewives''. Syndication, however, has indeed proven problematic; shows such as ''Fear Factor'', ''COPS'' and ''Wife Swap'' in which each episode is self-contained can indeed be rerun fairly easily, but usually only on cable television and/or during the daytime (''COPS'' and ''America's Funniest Home Videos'' being exceptions). Season-long competitions such as ''The Amazing Race'', ''Survivor'', and ''America's Next Top Model'' generally perform more poorly and usually must be rerun in marathons to draw the necessary viewers to make it worthwhile. Another option is to create documentaries around series including extended interviews with the participants and outtakes not seen in the original airings; the syndicated series ''American Idol Rewind'' and the pay-per-view ''Jerry Springer Too Hot for TV'' series are examples of using this strategy.

''COPS'' has had huge success in syndication, direct response sales and DVD. A FOX staple since 1989, ''COPS'' is, as of 2010, in its 23rd season, having outlasted all competing scripted police shows. Another series that has seen wide success is "Cheaters", which has been running for 10 seasons in the US and is syndicated in over 100 countries worldwide. In 2007, according to the Learning and Skills Council, one in seven UK teenagers hopes to gain fame by appearing on reality television.

In 2001, the Academy of Television Arts and Sciences added the reality genre to the Emmy Awards with the category of Outstanding Reality Program. In 2003, to better differentiate between competition and informational reality programs, a second category Outstanding Reality-Competition Program was added. In 2008, a third category, Outstanding Host for a Reality or Reality-Competition Program was added.

In 2010, the Tester became the first reality television show ever aired over a videogame console. The show entered its second season in the same year.

Subgenres

The genre of reality television consists of various subgenres.

Documentary-style

In many reality TV programs, camera shooting and footage editing give the viewer the impression that they are passive observers following people going about their daily personal and professional activities; this style of filming is often referred to as fly on the wall or factual television. Story "plots" are often constructed via editing or planned situations, with the results resembling soap operas—hence the terms ''docusoap'' and ''docudrama''. In other shows, a cinéma vérité style is adopted, where the filmmaker is more than a passive observer—their presence and influence is greatly manifest.

Within documentary-style reality television are several subcategories or variants:

;Special living environment: Some documentary-style programs place cast members, who in most cases previously did not know each other, in artificial living environments; ''The Real World'' is the originator of this style. In almost every other such show, cast members are given a specific challenge or obstacle to overcome. ''Road Rules'', which started in 1995 as a spin-off of ''The Real World'', started this pattern: the cast traveled across the country guided by clues and performing tasks.

:''Big Brother'' is probably the best known program of this type in the world with different versions produced in many countries around the globe. Another example of a show in this category ''The 1900 House'', involves historical re-enactment with cast members hired to live and work as people of a specific time and place. 2001's ''Temptation Island'' achieved some notoriety by placing several couples on an island surrounded by single people in order to test the couples' commitment to each other. ''U8TV: The Lofters'' combined the "special living environment" format with the "professional activity" format noted below; in addition to living together in a loft, each member of the show's cast was hired to host a television program for a Canadian cable channel.

;Celebrities: Another subset of fly-on-the-wall-style shows involves celebrities. Often these show a celebrity going about their everyday life: notable examples include ''The Anna Nicole Show'', ''The Osbournes'', ''Newlyweds: Nick and Jessica'' and ''Hogan Knows Best''. In other shows, celebrities are put on location and given a specific task or tasks; these include ''Celebrity Big Brother'', ''The Simple Life'', ''Tommy Lee Goes to College'', ''The Surreal Life'', and ''I'm a Celebrity... Get Me out of Here!''. VH1 has created an entire block of shows dedicated to celebrity reality, known as "Celebreality".

;Professional activities: Some documentary-style shows portray professionals either going about day-to-day business or performing an entire project over the course of a series. No outside experts are brought in (at least, none appear on screen) to either provide help or to judge results. The earliest example (and the longest running reality show of any genre) is ''COPS'' which has been airing since 1989, preceding by many years the current reality show phenomenon.

:Other examples of this type of reality show include the American shows ''Miami Ink'', ''The First 48'', ''Dog the Bounty Hunter'', ''American Chopper'' and '' Deadliest Catch''; the British shows ''Airport'', ''Police Stop!'' and ''Traffic Cops''; the Australian shows ''Border Security'' and ''Bondi Rescue'', and the New Zealand show ''Motorway Patrol''. The US cable networks TLC and A&E in particular show a number of this type of reality show.

:VH1's 2001 show ''Bands on the Run'' was a notable early hybrid, in that the show featured four unsigned bands touring and making music as a professional activity, but also pitted the bands against one another in game show fashion to see which band could make the most money.

Competition/game shows

Another sub-genre of reality TV is "reality competition" or so-called "reality game shows," which follow the format of non-tournament elimination contests. Typically, participants are filmed competing to win a prize, often while living together in a confined environment. In many cases, participants are removed until only one person or team remains, who/which is then declared the winner. Usually this is done by eliminating participants one at a time, in balloon debate style, through either disapproval voting or by voting for the most popular choice to win. Voting is done by the viewing audience, the show's own participants, a panel of judges, or some combination of the three.

A well-known example of a reality-competition show is the globally syndicated ''Big Brother'', in which cast members live together in the same house, with participants removed at regular intervals by either the viewing audience or, in the case of the American version, by the participants themselves.

There remains some disagreement over whether talent-search shows such as the ''Idol'' series, ''America's Got Talent'', ''Dancing with the Stars'', and ''Celebrity Duets'' are truly reality television, or just newer incarnations of shows such as ''Star Search''. Although the shows involve a traditional talent search, the shows follow the reality-competition conventions of removing one or more contestants per episode and allowing the public to vote on who is removed; the ''Idol'' series also require the contestants to live together during the run of the show (though their daily life is never shown onscreen). Additionally, there is a good deal of interaction shown between contestants and judges. As a result, such shows are often considered reality television, and the American Primetime Emmy Awards have nominated both ''American Idol'' and ''Dancing with the Stars'' for the Outstanding Reality-Competition Program Emmy.

Modern game shows like ''Weakest Link'', ''Greed'', ''Who Wants to Be a Millionaire?'', ''American Gladiators'', ''Dog Eat Dog'' and ''Deal or No Deal'' also lie in a gray area: like traditional game shows (e.g., ''The Price Is Right'', ''Jeopardy!''), the action takes place in an enclosed TV studio over a short period of time; however, they have higher production values, more dramatic background music, and higher stakes than traditional shows (done either through putting contestants into physical danger or offering large cash prizes). In addition, there is more interaction between contestants and hosts, and in some cases they feature reality-style contestant competition and/or elimination as well. These factors, as well as these shows' rise in global popularity at the same time as the arrival of the reality craze, lead many people to group them under the reality TV umbrella as well as the traditional game show one.

There are various hybrid reality-competition shows, like the worldwide-syndicated ''Star Academy'', which combines the ''Big Brother'' and ''Idol'' formats, ''The Biggest Loser'' and ''The Pick-up Artist'' which combine competition with the self-improvement format, and ''American Inventor'', which uses the ''Idol'' format for products instead of people. Some shows, such as ''Making the Band'' and ''Project Greenlight'', devote the first part of the season to selecting a winner, and the second part to showing that person or group of people working on a project.

Popular variants of the competition-based format include the following:

;Dating-based competition:Dating-based competition shows follow a contestant choosing one out of a group of suitors. Over the course of either a single episode or an entire season, suitors are eliminated until only the contestant and the final suitor remains. For a time, in 2001–2003, this type of reality show dominated the other genres on the major US networks. Shows that aired included ''The Bachelor'', its spin-off ''The Bachelorette'', as well as ''For Love or Money'', ''Paradise Hotel'', ''Temptation Island'', ''Average Joe'' and ''Farmer Wants a Wife'', among others. More recent such shows include ''Flavor of Love'' and its spin-offs ''I Love New York'', ''Rock of Love'', and ''The Cougar''. This is one of the older variants of the format; shows such as ''The Dating Game'' that date to the 1960s had similar premises (though each episode was self-contained, and not the serial format of more modern shows).

;Job search:In this category, the competition revolves around a skill that contestants were pre-screened for. Competitors perform a variety of tasks based on that skill, are judged, and are then kept or removed by a single expert or a panel of experts. The show is usually presented as a job search of some kind, in which the prize for the winner includes a contract to perform that kind of work. ''Popstars'', which debuted in 1999, may have been the first such show. The first job-search show which showed dramatic, unscripted situations may have been ''America's Next Top Model'', which premiered in May 2003. Other examples include ''The Apprentice'' (which judges business skills), ''Hell's Kitchen'' and ''Top Chef'' (for chefs), ''Shear Genius'' (for hair styling), ''Project Runway'' (for clothing design), ''Top Design'' (for interior design), ''Stylista'' (for fashion editors), ''Last Comic Standing'' (for comedians), ''The Starlet'' and ''Scream Queens'' (for actresses), ''I Know My Kid's a Star'' (for child performers), ''On the Lot'' (for filmmakers), ''The Shot'' (for photographers), ''So You Think You Can Dance'' (for dancers), ''MuchMusic VJ Search'' (for television hosts), ''Dream Job'' (for sportscasters), ''Face Off'' (for make-up artists), and ''The Tester'' (for game testers). Some shows use the same format with celebrities: in this case, there is no expectation that the winner will continue this line of work, and prize winnings often go to charity. Examples of celebrity competition programs include ''Deadline'', ''Celebracadabra'', and ''The Celebrity Apprentice''.

;Sports:Most of these programs create a sporting competition among athletes attempting to establish their name in that sport. ''The Club'', in 2002, was one of the first shows to immerse sport with reality TV, based on a fabricated club competing against real clubs in the sport of Australian rules football; the audience helped select which players played each week by voting for their favorites. Golf Channel's ''The Big Break'' is a reality show in which aspiring golfers compete against one another and are eliminated. ''The Contender'', a boxing show, unfortunately became the first American reality show in which a contestant committed suicide after being eliminated from the show. In ''The Ultimate Fighter'' participants have voluntarily withdrawn or expressed the desire to withdraw from the show due to competitive pressure.

:In sports shows, sometimes just appearing on the show, not necessarily winning, can get a contestant the job. The owner of UFC declared that the final match of the first season of ''Ultimate Fighter'' was so good, both contestants were offered a contract, and in addition, many non-winning "TUF Alumni" have prospered in the UFC. Many of the losers from World Wrestling Entertainment's ''Tough Enough'' and ''Diva Search'' shows have been picked up by the company.

:Not all sports programs, however, involve athletes trying to make a name in the sport. The 2006 US reality series ''Knight School'' focused on students at Texas Tech University vying for a walk-on (non-scholarship) roster position on the school's men's basketball team under legendary coach Bob Knight. In the Republic of Ireland, RTÉ One's ''Celebrity Bainisteoir'' involves eight non-sporting Irish celebrities becoming ''bainisteoiri'' (managers) of mid-level Gaelic football teams, leading their teams in an officially sanctioned tournament.

Self-improvement/makeover

Some reality television shows cover a person or group of people improving their lives. Sometimes the same group of people are covered over an entire season (as in ''The Swan'' and ''Celebrity Fit Club''), but usually there is a new target for improvement in each episode. Despite differences in the content, the format is usually the same: first the show introduces the subjects in their current, less-than-ideal environment. Then the subjects meet with a group of experts, who give the subjects instructions on how to improve things; they offer aid and encouragement along the way. Finally, the subjects are placed back in their environment and they, along with their friends and family and the experts, appraise the changes that have occurred. Other self-improvement or makeover shows include "How Do I Look?" (fashion makeover). ''The Biggest Loser'' and ''Fat March'', (which covers weight loss), ''Extreme Makeover'' (entire physical appearance), ''Queer Eye'' and ''What Not to Wear'' (style and grooming), ''Supernanny'' (child-rearing), ''Made'' (attaining difficult goals), ''Trinny & Susannah Undress'' (fashion makeover and marriage), ''Tool Academy'' (relationship building) and ''Charm School'' and ''From G's to Gents'' (self-improvement and manners).

Renovation

Some shows make over part or all of a person's living space, work space, or vehicle. The American show ''This Old House'' was the first such show, debuting in 1979. The British show ''Changing Rooms'', beginning in 1996 (later remade in the US as ''Trading Spaces'') was the first such renovation show that added a game show feel with different weekly contestants. Other shows in this category include ''Extreme Makeover: Home Edition'', ''Debbie Travis' Facelift'', ''Designed to Sell'', ''While You Were Out'', and ''Holmes on Homes''. ''Pimp My Ride'' and ''Overhaulin''' show vehicles being rebuilt. Some shows, such as ''Restaurant Makeover'' and ''Ramsay's Kitchen Nightmares'', show both the decor and the menu of a failing restaurant being remade. The issue of "making over" was taken to its social extreme with the British show ''Life Laundry'', in which people who had become hoarders, even living in squalor, were given professional assistance.

As with game shows, a gray area exists between such reality TV shows and more conventional formats. Some argue the key difference is the emphasis of the human story and conflicts of reality shows, versus the emphasis on process and information in more traditional format shows. The show ''This Old House'', which began in 1979, the start to finish renovation of different houses through a season; media critic Jeff Jarvis has speculated that it is "the original reality TV show."

Social experiment

Another type of reality program is the social experiment that produces drama, conflict, and sometimes transformation. ''Wife Swap'' which began in 2003 on Channel 4 and has aired for four seasons on ABC is a notable example. People with different values agreed to live by each other's social rules for a brief period of time and sometimes learn from the experience. Other shows in this category include ITV's ''Holiday Showdown,'' Oxygen's ''The Bad Girls Club'' (lifestyles and actions), and Channel 4's ''Secret Millionaire''. ''Faking It'' was a series where people had to learn a new skill and pass themselves off as experts in that skill. ''Shattered'' was a controversial 2004 UK series where contestants competed for how long they could go without sleep.

Dating shows

Unlike the aforementioned dating competition shows, some shows feature all new contestants each episode. This format was first used in the 1960s show ''The Dating Game''. Modern examples include ''Blind Date'', ''Matchmaker'', ''Room Raiders'', ''Elimidate'', ''Next'', and ''Parental Control''.

Talk shows

Though the traditional format of a talk show is that of a host interviewing a featured guest or discussing a chosen topic with a guest or panel of guests, the advent of trash TV shows has often made people group the entire category in with reality television. Programs like ''Ricki Lake'', ''The Jerry Springer Show'', ''Dr. Phil'', ''The Jeremy Kyle Show'' and many others have generally recruited guests by advertising a potential topic for a future program. Topics are frequently outrageous and are chosen in the interest of creating on-screen drama, tension or outrageous behaviour. Though not explicitly reality television by traditional standards, this sort of depiction of someone's life, even if only in a brief interview format, is frequently considered akin to broader-scale reality TV programming.

Hidden cameras

Another type of reality programming features hidden cameras rolling when random passers-by encounter a staged situation. ''Candid Camera'', which first aired on television in 1948, pioneered the format. Modern variants of this type of production include ''Punk'd'', ''Trigger Happy TV'', ''The Jamie Kennedy Experiment'' and ''Just For Laughs Gags''. The series ''Scare Tactics'' and ''Room 401'' are hidden-camera programs in which the goal is to frighten contestants rather than just befuddle or amuse them.

Not all hidden camera shows use strictly staged situations. For example, the syndicated show ''Cheaters'', purports to use hidden cameras to record suspected cheating partners, although the authenticity of the show has been questioned. Once the evidence has been gathered, the accuser confronts the cheating partner with the assistance of the host.

Supernatural and paranormal

Started by ''MTV's Fear'' in 2000, supernatural and paranormal reality shows place participants into frightening situations which ostensibly involve the paranormal. In series such as ''Celebrity Paranormal Project'', the stated aim is investigation, and some series like ''Scariest Places on Earth'' challenge participants to survive the investigation; whereas others such as ''Paranormal State'' and ''Ghost Hunters'' use a recurring crew of paranormal researchers. Shows such as ''Fear Factor'' and ''Scare Tactics'' dispense with supernatural overtones and aim solely at inciting fear or aversion in the cast. In general, the shows follow similar stylized patterns of night vision, surveillance, and hand held camera footage; odd angles; subtitles establishing place and time; desaturated imagery; rapid fire, MTV editing; and non-melodic soundtracks.

Noting the recent trend in reality shows that take the paranormal at face value, New York Times Culture editor Mike Hale characterized ghost hunting shows as "pure theater" and compared the genre to professional wrestling or soft core pornography for its formulaic, teasing approach.

Hoaxes

In hoax reality shows, a false premise is presented to some of the series participants. In truth, the premise of the series is completely different. The rest of the cast are actors who are in on the joke. These shows often served to parody the conventions of the reality TV genre.

The first such show was 2003's ''The Joe Schmo Show''. Other examples are ''My Big Fat Obnoxious Boss'' (modeled after ''The Apprentice''), ''My Big Fat Obnoxious Fiance'', ''Hell Date'' (modeled after ''Blind Date''), ''Superstar USA'' (modeled after ''American Idol''), ''Space Cadets'' (which convinced the hoax targets that they were being flown into space), ''Punk'd'' (involving celebrities in staged crises), ''Invasion Iowa'' (in which a town was convinced that William Shatner was filming a movie there), and ''Reality Hell'' (different target and premise every episode).

Other shows, though not hoax shows per se, have offered misleading information to some cast members in order to add a wrinkle to the competition. Examples include ''Boy Meets Boy'' and ''Joe Millionaire''.

Analysis

Political impact

Reality television's global success has been, in the eyes of some analysts, an important political phenomenon. In some authoritarian countries, reality television voting has been the first time many citizens have voted in any free and fair wide-scale elections. In addition, the frankness of the settings on some reality shows present situations that are often taboo in certain orthodox cultures, like ''Star Academy Arab World'', which began airing in 2003, and which shows male and female contestants living together. In 2004, journalist Matt Labash, noting both of these issues, wrote that "the best hope of little Americas developing in the Middle East could be Arab-produced reality TV." In China, after the finale of the 2005 season of ''Super Girl'' (the local version of ''Pop Idol'') drew an audience of around 400 million people, and 8 million text message votes, the state-run English-language newspaper ''Beijing Today'' ran the front-page headline "Is Super Girl a Force for Democracy?" The Chinese government criticized the show, citing both its democratic nature and its excessive vulgarity, or "worldliness", and in 2006 banned it outright. Other attempts at introducing reality television have proved to be similarly controversial. A Pan-Arab version of ''Big Brother'' was cancelled in 2004 after less than two weeks on the air after a public outcry and street protests.

In 2007, Abu Dhabi TV begain airing ''Million's Poet'', a show featuring ''Pop Idol''-style voting and elimination, but for the writing and oration of Arabic poetry. The show became popular in Arab countries, with around 18 million viewers, partly because, according to analysts such as University of Pennsylvania professor Marwan Kraidy, it was able to combine the excitement of reality television with a traditional, culturally relevant topic. In April 2010, however, the show also become a subject of political controversy, when Hissa Hilal, a 43-year-old female Saudi competitor, read out a poem criticizing her country's Muslim clerics. Hilal received the highest scores from the judges throughout the competition, and came in third place overall.

Television critic James Poniewozik wrote that reality shows like ''Deadliest Catch'' and ''Ice Road Truckers'' showcase working-class people of the kind that "used to be routine" on scripted network television, but that became a rarity in the 2000s: "The better to woo upscale viewers, TV has evicted its mechanics and dockworkers to collect higher rents from yuppies in coffeehouses."

Criticism

Influenced by corporate profit motive

Writers for reality television do not receive union pay-scale compensation and union representation, which significantly decreases expenditures for producers and broadcasters. Many of the actors in reality television are compensated for their appearances.

Product placement

Product placement, whereby companies and corporations pay to have their products included in television programming for marketing purposes is highly prevalent in reality television.

The following is a list of television shows with the most instances of product placement (11/07–11/08; Nielsen Media Research). Eight out of the ten are reality television shows.

''The Biggest Loser'' 6,248

''American Idol'', 4,636

''Extreme Makeover: Home Edition''', 3,371

''America's Toughest Jobs'', 2,807

''Deal or No Deal'', 2,292

''America's Next Top Model'', 2,241

''Last Comic Standing'', 1,993

''Kitchen Nightmares'' 1,853

''Hell's Kitchen'', 1,807

"Reality" as misnomer

Some commentators have said that the name "reality television" is an inaccurate description for several styles of program included in the genre. Irene McGee, a castmember on the 1998 ''The Real World: Seattle'', has done public speaking tours about the negative and misleading aspects of reality TV.

Unreal environments

In competition-based programs such as ''Big Brother'' and ''Survivor'', and other special living environment shows like ''The Real World'', the producers design the format of the show and control the day-to-day activities and the environment, creating a completely fabricated world in which the competition plays out. Producers specifically select the participants and use carefully designed scenarios, challenges, events, and settings to encourage particular behaviors and conflicts. Mark Burnett, creator of ''Survivor'' and other reality shows, has agreed with this assessment, and avoids the word "reality" to describe his shows; he has said, "I tell good stories. It really is not reality TV. It really is unscripted drama."

Misleading editing

In 2004, VH1 aired a program called ''Reality TV Secrets Revealed'', which detailed various misleading tricks of reality TV producers. According to the show, various reality shows (notably ''Joe Millionaire'') combined audio and video from different times, or from different sets of footage, to create an artificial illusion of time chronology that did not occur, and a misportrayal of participant behaviors and actions.

In docusoap programming, which follows people in their daily life, producers may be highly deliberate in their editing strategies, able to portray certain participants as heroes or villains, and may guide the drama through altered chronology and selective presentation of events. A Season 3 episode of ''Charlie Brooker's Screenwipe'' included a segment on the ways in which selective editing can be used to this end.

Restaging

According to VH1's ''Reality TV Secrets Revealed'', the shows ''The Restaurant'' and ''Survivor'' had at times recreated incidents that had actually occurred, but were not properly recorded by cameras to the required technical standard, or had not been recorded at all. In order to get the footage, the event was restaged for the cameras.

Premeditated scripting and acting

Reality television shows have faced speculation that the participants themselves are involved in fakery, acting out storylines that have been planned in advance by producers. ''The Hills'' is one notable example; the show has long faced allegations that its plots are scripted ahead of time. During the second season of ''Hell's Kitchen'', it was speculated that the customers eating meals prepared by the contestants were in fact paid actors. Some participants of reality shows have also stated afterwards that they altered their behavior to appear more crazy or emotional in order to get more camera time.

Daniel Petrie Jr., former president of the Writers Guild of America, west, an organization that represents 9,000 Hollywood film and television writers, stated: "We look at reality TV, which is billed as unscripted, and we know it is scripted. We understand that shows don't want to call the writers writers because they want to maintain the illusion that it is reality, that stuff just happens."

Misleading premise

Even the premise of shows has been called into question. The winner of the first "cycle", in 2003, of ''America's Next Top Model'', Adrianne Curry, claimed that part of the grand prize she received, a modeling contract with Revlon, was for a much smaller amount of work than what was promised throughout the show. During the airing of the first season of ''A Shot at Love with Tila Tequila'', in which a group of both men and women vied for the heart of Tila Tequila, there were rumors that its star was not only heterosexual, but also had a boyfriend already. The show's winner, Bobby Banhart, claimed that he never saw Ms. Tequila again after the show finished taping, and that he was never even given her telephone number.

Instant celebrity

Reality television has the potential to turn its participants into national celebrities, at least for a short period. This is most notable in talent-search programs such as the ''Idol'' series, which has spawned music stars in many of the countries in which it has aired. Many other shows, however, such as ''Survivor'' and ''Big Brother'', have made at least temporary celebrities out of their participants; some participants have then been able to parlay this fame into media careers. For example, Elisabeth Hasselbeck, a contestant on ''Survivor: The Australian Outback'', later became a host on morning talk show ''The View''; and Kristin Cavallari, who appeared on ''Laguna Beach: The Real Orange County'', has gone on to become a television host and actress. Michael "The Situation" Sorrentino, who appeared on MTV's ''Jersey Shore'', was able to parlay his fame into lucrative endorsement deals. Jamie Chung, a former contestant on ''The Real World'', went on to pursue an acting career, starring in films such as ''Sucker Punch''. Tiffany Pollard, originally a contestant on ''Flavor of Love'', was eventually given four additional reality series of her own on VH1: ''I Love New York'', ''I Love New York 2'', ''New York Goes to Hollywood'' and ''New York Goes to Work''. In Britain, Jade Goody became famous after appearing on ''Big Brother 3'' in 2002; she later appeared on other reality programs, wrote a bestselling autobiography and launched a top-selling perfume line. She later received extensive media coverage during her battle with cervical cancer, from which she died in 2009. Mike "The Miz" Mizanin, who has appeared on ''The Real World'' and various spin-offs, later became a professional wrestler for World Wrestling Entertainment.

Some reality-television alumni take on the role of professional greeters at nightclubs, appear at automobile shows, and the like.

Reality TV contestants are sometimes derided as "Z-list celebrities" or "nonebrities" who have done nothing to warrant their newfound fame. The newspaper ''The Sun'' defined a "nonebrity" as "a pointless media figure who would love to rise up high enough to scrape on to the bottom end of the D-list."

As a spectacle of humiliation

Some have claimed that the success of reality television is due to its ability to provide ''schadenfreude'', by satisfying the desire of viewers to see others humiliated. American magazine ''Entertainment Weekly'' wrote, "Do we watch reality television for precious insight into the human condition? Please. We watch for those awkward scenes that make us feel a smidge better about our own little unfilmed lives." Media analyst Tom Alderman wrote, "There is a sub-set of Reality TV that can only be described as Shame TV because it uses humiliation as its core appeal."

Television critic James Poniewozik has disagreed with this assessment, writing, "for all the talk about 'humiliation TV,' what's striking about most reality shows is how good humored and resilient most of the participants are: the American Idol rejectees stubbornly convinced of their own talent, the Fear Factor players walking away from vats of insects like Olympic champions. What finally bothers their detractors is, perhaps, not that these people are humiliated but that they are not."

Participation of children

Jon & Kate Plus 8

The reality show ''Jon & Kate Plus 8'', which showed a family of two parents (Jon and Kate Gosselin) raising their eight children, caused controversy when, in June 2009, Jon and Kate began divorce proceedings, and it emerged that Jon had been involved with other women prior to the divorce. The episode announcing their separation became the most-watched of the series, with 10.6 million viewers.

TLC has announced that ''Jon & Kate Plus 8'' will continue under the new title ''Kate Plus Eight''. Criticism has been raised regarding Kate's intentions of continuing with the show, as well as whether or not the children are being exploited or may be under emotional distress. According to lawyer Gloria Allred:

In the case of the show, the children's workplace is their home. Currently there are no clear laws in Pennsylvania (where the Gosselins reside) regarding a child's appearance on a reality show. However, Pennsylvania law permits kids who are at least seven years old to work in the entertainment industry, as long as certain guidelines are followed and a permit is obtained. For example, children may not work after 11:30 pm under most circumstances, or perform in any location that serves alcohol.

Kate defended her position that the children are happy and healthy, and not in any danger. In addition, Jon has stated that they are "in talks" regarding ensuring the children's happiness, and that there is no truth to any reports that the children have been hurt by the series. TLC released a statement saying that the network "fully complies with all applicable laws and regulations" to produce the show. The statement also said that "for an extended period of time, we have been engaged in cooperative discussions and supplied all requested information to the Pennsylvania Department of Labor and Industry".

Other examples

In another much-publicized case, issues have been raised about the underlying motives that led to the balloon boy hoax, in which six-year-old Falcon Heene was reportedly coerced by his father to stage for a frantic, live-on-TV chase for an out-of-control helium balloon in which he was suspected to be. The police said that the father engineered the hoax with the hope of generating enough publicity in order to get the family back into the reality-show business, after two appearances on ABC's ''Wife Swap''. In an interview with the ''Denver Post'', child psychologist Alan Zimmerman said:

The same article quoted psychologist Jamie Huysman as saying, "It is exploitation [...] Nobody wants to watch normal behavior. Kids have to be co-conspirators to get the camera to stay on."

Counter Arguments

Despite arguments that realism cannot be achieved in reality shows because the outcomes may or may not have been scripted, Geoff King argues in his book, ''Spectacle of the Real: From Hollywood to Reality TV and Beyond'': even though the contestants are in a fabricated setting and the situation has been set up for a certain outcome, as in real love shows such as ''The Bachelor'' and ''The Bachelorette'', these contestants still harbor feelings that make their participation in the show real to them. King says: (1958), another Robert Sheckley story, was about a television show in which a contestant volunteers to be hunted for a week by trained killers, with a large cash prize if he survives. It was adapted in 1970 as the TV movie ''Das Millionenspiel'', and again in 1983 as the movie ''Le Prix du Danger''.

"It Could Be You" (1964), a short story by Australian Frank Roberts, features a day-in-day-out televised blood sport.

''Survivor'' (1965), a science fiction story by Walter F. Moudy, depicted the 2050 "Olympic War Games" between Russia and the United States. The games are fought to show the world the futility of war and thus deter further conflict. Each side has one hundred soldiers who fight with rifles, mortars, and machine guns in a large natural arena. The goal is for one side to wipe out the other; the few who survive the battle become heroes. The games are televised, complete with color commentary discussing tactics, soldiers' personal backgrounds, and slow-motion replays of their deaths.

''Bread and Circuses'' (1968) was an episode of the TV show ''Star Trek'' in which the crew visits a planet resembling the Roman Empire, but with 20th century technology. The planet's "Empire TV" features regular gladiatorial games, with the announcer urging viewers at home to vote for their favorites, stating, "This is your program. You pick the winner." The show included several jabs at real-world television, such as a praetorian threatening, "You bring this network's ratings down, Flavius, and we'll do a special on you!"

''The Year of the Sex Olympics'' (1968) was a BBC television play in which a dissident in a dictatorship is forced onto a secluded island and taped for a reality show in order to keep the masses entertained.

''The Unsleeping Eye'' (1973), a novel by D.G. Compton (also published as ''The Continuous Katherine Mortenhoe''), was about a woman dying of cancer whose last days are recorded without her knowledge for a television show. It was later adapted as the 1980 movie ''Death Watch''.

"Ladies And Gentlemen, This Is Your Crisis" (1976) was a short story by science fiction author Kate Wilhelm about a television show in which contestants (including a B-list actress who is hoping to revitalize her career) attempt to make their way to a checkpoint after being dropped off in the Alaskan wilderness, while being filmed and broadcast around the clock through an entire weekend. The story focuses primarily on the show's effect on a couple whose domestic tensions and eventual reconciliation parallel the dangers faced by the contestants.

''Network'' (1976) was a film predictive of a number of trends in broadcast television, including reality programming. One subplot featured network executives negotiating with an urban terrorist group for the production of a weekly series, each episode of which was to feature an act of terrorism.

''Real Life'' (1979) where a pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives. A parody of the ground-breaking PBS series ''An American Family''.

''The Running Man'' (1982) was a book by Stephen King depicting a game show in which a contestant flees around the world from "hunters" trying to chase him down and kill him; it has been speculated that the book was inspired by Robert Sheckley's ''The Prize of Peril''. The book was loosely adapted as a 1987 movie of the same name. The movie removed most of the reality-TV element of the book: its competition now took place entirely within a large TV studio, and more closely resembled an athletic competition (though a deadly one).

The film ''20 Minutes into the Future'' (1985), and the spin-off TV show ''Max Headroom'', revolved around television mainly based on live, often candid, broadcasts. In one episode of ''Max Headroom'', "Academy", the character Blank Reg fights for his life on a courtroom game show, with the audience deciding his fate.

''Vengeance on Varos'' (1985) was an episode of the TV show ''Doctor Who'' in which the population of a planet watches live TV broadcasts of the torture and executions of those who oppose the government. The planet's political system is based on the leaders themselves facing disintegration if the population votes 'no' to their propositions. This episode is often credited as the origins of "voting someone off".

Pop culture references

Some scripted and written works have used reality television as a plot device:

Films

''American Dreamz'' (2006) is a film set partially on an ''American Idol''-like show.

''EDtv'' (1999) was a remake of ''Louis the 19th, King of the Airwaves''.

''Louis the 19th, King of the Airwaves'' (1994) is a Québécois film about a man who signs up to star in a 24-hour-a-day reality TV show.

''Real Life'' (1979) is a comedic film about the creation of a show similar to ''An American Family'' gone horribly wrong.

''Series 7: The Contenders'' (2001) is a film about a reality show in which contestants have to kill each other to win.

In the film ''She's All That'' (1999), the girlfriend of one of the main characters is stolen by a former castmember of ''The Real World'' (played by Matthew Lillard)

''Tomb of the Werewolf'' (2004) is a film about a man searching for treasure while being followed by a reality show film crew, who encounters a werewolf and a vampire instead.

''The Truman Show'' (1998) is a film about a man (Jim Carrey) who discovers that his entire life is being staged and filmed for a 24-hour-a-day reality TV show.

Television

"Bad Wolf" (2005) is an episode of the TV show ''Doctor Who'' in which the characters find themselves trapped in various real-life reality television shows.

''The Comeback'' (2005) satirizes the indignity of reality TV by presenting itself as "raw footage" of a new reality show documenting the attempted comeback of has-been star Valerie Cherish.

"Helter Shelter" (2002) is an episode of ''The Simpsons'' in which the family become contestants in "The 1895 Challenge," living for several weeks in a Victorian style house with antique furniture and no electricity. To boost the ratings, they soon find themselves being abused and humiliated by the show's director, who states that he created the show "by watching Dutch television and tweaking the title." ''The Simpsons'' has also repeatedly spoofed reality TV and made reference to fictitious reality shows, with such titles as "Tied To A Bear," "Sucker Punch," "Mystery Injection," "Animal Survivor,", "No-Pants Island" and "Fart Date."

''Rock Rivals'' (2008) is a British television show about two judges on a televised singing contest whose marriage is falling apart.

"Special Service" (1989) was an episode of the remade TV series ''The Twilight Zone'', in which a man discovers that his life has secretly been videotaped and is a huge hit on a network television show.

'':Total Drama Island'' (2007) is a Canadian animated series about teenagers on a ''Survivor''-like show. It was subsequently followed by Total Drama Action (2009) and Total Drama World Tour (2010).

Web

"Realistically Speaking 1&2" (2007) is a two-part web-episode of ''Hero Envy'' in which one of the main characters allows a reality-TV film crew to document his and his friends' lives in an elimination-style game in exchange for money.

Music

"Celebrity," a 2003 song by Brad Paisley from the album ''Mud on the Tires'', makes fun of both reality television contestants and their ability to become famous without any real talent, as well as celebrity antics in general. The song reached #31 on the Billboard Hot 100 and #3 on the Hot Country Singles chart.

"Reality Show" is a song by T-Pain, from the 2008 album ''Thr33 Ringz'', in which he sings to his lover, "Let's make a reality show", to "show 'em how much we in love".

"Real" is a song by James Wesley from his 2010 album ''Real''. The song mocks various reality shows popular in the United States as unreal (he specifically mentions ''The Bachelor'', ''Survivor'', ''The Amazing Race'' and ''The Real Housewives''), comparing them unfavorably with real-life hardships. The song peaked at #22 on Billboard's Hot Country Singles charts.

Books

''Chart Throb'' (2006) is a comic novel by Ben Elton that parodies ''The X Factor'' and ''The Osbournes'', among other reality shows.

''Dead Famous'' (2001) is a comedy/whodunit novel, also by Ben Elton, in which a contestant is murdered while on a ''Big Brother''-like show.

''Oryx and Crake'' (2003), a speculative fiction novel by ''Margaret Atwood'', occasionally makes mentions of the protagonist and his friend entertaining themselves by watching reality TV shows of live executions, ''Noodie News'', frog squashing, graphic surgery, and child pornography.

Other influences on popular culture

A number of scripted television shows have taken the form of documentary-type reality TV shows, in "mockumentary" style. The first such show was the BBC series ''Operation Good Guys'', which premiered in 1997. Other examples include ''People Like Us'', ''Trailer Park Boys'', ''The Office'', ''Modern Family'', ''Drawn Together'', ''Summer Heights High'', ''Total Drama Island'', ''Parks and Recreation'', ''Reno 911!'' and Come Fly With Me.

Some feature films have been produced that use some of the conventions of reality television; such films are sometimes referred to as reality films, and sometimes simply as documentaries. Allen Funt's 1970 hidden camera movie ''What Do You Say to a Naked Lady?'' was based on his reality-television show ''Candid Camera''. The TV show ''Jackass'' spawned four films: ''Jackass: The Movie'' in 2001, ''Jackass: Number Two'' in 2006, ''Jackass 2.5'' in late 2007, and ''Jackass 3D'' in 2010. A similar show, ''Extreme Duudsonit'', was adapted for the film ''The Dudesons Movie'' in 2006. The producers of ''The Real World'' created ''The Real Cancun'' in 2003. ''Games People Play: New York'' was released in 2004.

The mumblecore film genre, which began in the mid-2000s, and uses video cameras and relies heavily on improvisation and non-professional actors, has been described as influenced in part by what one critic called "the spring-break psychodrama of MTV's ''The Real World''". Mumblecore director Joe Swanberg has said, "As annoying as reality TV is, it's been really good for filmmakers because it got mainstream audiences used to watching shaky camerawork and different kinds of situations."

See also

:Broadcast media

Bunim/Murray Productions

Endemol

Factual television

Great Reality TV Swindle

Matt Kunitz

John Langley

List of reality television programs

List of television show franchises

Media manipulation

Prolefeed

References

Further reading

''Big Brother - Why Bother?'' - Graham Barnfield's Spiked commentary

Caudle, Melissa (2011). ''The Reality of Reality TV: Reality Show Business Plans''. CreateSpace. ISBN 1460916980. A step-by-step approach to writing business plans for reality shows.

DeVolld, Troy (2011). ''Reality TV: An Insiders Guide to Reality Television''. Michael Wiese Productions. ISBN 1932907998. A working producer provides information about how reality shows are made and how to develop a lasting career in the genre.

Hill, Annette (2005). ''Reality TV: Audiences and Popular Factual Television''. Routledge. ISBN 0-415-26152-X.

Murray, Susan, and Laurie Ouellette, eds. (2004). ''Reality TV: Remaking Television Culture''. New York University Press. ISBN 0-8147-5688-3

Nichols, Bill (1994). ''Blurred Boundaries: Questions of Meaning in Contemporary Culture''. Indiana University Press. ISBN 0-253-34064-0.

''Lord of the fly-on-the-walls'' - Observer article: Paul Watson's UK & Australian docusoaps

Zeven werklozen samen op zoek naar een baan by Raymond van den Boogaard, NRC Handelsblad, September 28, 1996 (Dutch) - about ''Nummer 28'' being the inspiration for ''The Real World''

Reality TV continues its downward spiral of morality

External links

Truth or Dare: The Reality of British Television, a panel of experts discuss Reality TV, BAFTA Webcast, January 2008

The Reality of Reality Television, Mark Greif's assessment of Reality TV from n+1

Category:Article Feedback Pilot Category:Reality television series Category:Game shows Category:Television genres

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Name	Roger Daltrey
Landscape	Yes
Background	solo_singer
Birth name	Roger Harry Daltrey
Born	March 01, 1944Hammersmith, London, England
Instrument	Vocals, guitar, harmonica,percussion, trombone
Genre	Rock, art rock, hard rock, power pop
Occupation	Musician, singer-songwriter,film producer, actor
Years active	1959–present
Label	Various
Associated acts	The Who,The RD Crusaders,No Plan B Band,Pete Townshend
Website	www.thewho.com }}

Roger Harry Daltrey, CBE (born 1 March 1944), is an English singer-songwriter and actor, best known as the founder and lead singer of English rock band The Who. He has maintained a musical career as a solo artist and has also worked in the film industry, acting in a large number of films, theatre and television roles and also producing films.

Early life

Roger Harry Daltrey was born in the Hammersmith area of London, but was raised in Acton, the same working class suburban neighbourhood that produced fellow Who members Pete Townshend and John Entwistle. He was one of three children born to parents Irene and Harry Daltrey, and grew up with two sisters, Gillian and Carol. Harry Daltrey worked for a water closet manufacturer, and Irene Daltrey was told she would be unable to have children because of losing a kidney in 1937. Nevertheless, she went into labour during a World War II air raid and gave birth to her son at the nearby Hammersmith Hospital, West London. At the age of three, the young Roger swallowed a rusty nail which had to be surgically removed, leaving a visible scar. At the age of five, the rust from the nail caused an ulcer in his stomach which required him to be hospitalised.

Daltrey attended Victoria Primary School and then Acton County Grammar School for boys along with Pete Townshend and John Entwistle. He showed academic promise in the English state school system, ranking at the top of his class on the eleven plus examination that led to his enrollment at the Acton County Grammar School. His parents hoped he would eventually continue on to study at the university, but Daltrey turned out to be a self-described "school rebel" and developed a dedicated interest in the emerging rock and roll music scene instead.

He made his first guitar from a block of wood, a cherry red Strat copy, and joined an existing skiffle band called The Detours in need of a lead singer. They told him he had to bring a guitar, and within a few weeks he showed up with it—and he could play it too. When his father bought him an Epiphone guitar in 1959, he became the lead guitarist for the band and soon afterwards was expelled from school for smoking. Describing the post-war times, Pete Townshend wrote in his autobiography, "Until he was expelled, Roger had been a good pupil. Then he heard Elvis and transmogrified into a Teddy Boy with an electric guitar and a dress-sneer. Was it simply rock ‘n’ roll? It was obvious to a young man as intelligent as Roger that there was no future in conforming any more."

Daltrey became a sheet metal worker during the day, while practising and performing nights with the band at weddings, pubs and men's clubs. He invited schoolmate John Entwistle to play bass in the band, and on the advice of Entwistle, invited Pete Townshend to play guitar. At that time, the band consisted of Daltrey on lead guitar, Pete Townshend on rhythm guitar, John Entwistle on bass, Doug Sandom on drums and Colin Dawson on lead vocals. After Colin Dawson left the band, Daltrey switched to vocals and played harmonica as well, while Townshend became the lead guitarist. In 1964 drummer Doug Sandom left the band, eventually being replaced by Keith Moon.

Early on, Daltrey was the band's leader, earning a reputation for using his fists to exercise control when needed, despite his small stature (his height is reportedly 5 feet 7 inches (1.70 m)). According to Townshend, Roger "ran things the way he wanted. If you argued with him, you usually got a bunch of fives." He generally selected the music they performed, including songs by The Beatles, various Motown artists, James Brown, and other rock standards.

In 1964 the group discovered another band working as The Detours and discussed changing their name. Pete Townshend suggested "The Hair" and Townshend's roommate Richard Barnes suggested "The Who." The next morning, Daltrey made the decision for the band, saying "It's The Who, innit?"

During 1964, band manager Peter Meaden renamed the band The High Numbers as part of a move to establish the band as Mod favourites. The name was a reference to the T-shirts with "numbers" that the Mods used at the time. Pete Meaden composed Mod songs for them (in fact, the songs were almost copies of Mod hits at the time, with changed lyrics) and they released one single, "I'm The Face/Zoot Suit", on Fontana Records. The single was unsuccessful.

After Kit Lambert and Chris Stamp discovered The High Numbers at the Railway Hotel, the band quickly changed their name back to The Who, since neither Lambert nor Stamp liked the name "The High Numbers".

Music career

The Who years

With the band's first hit single and record deal in early 1965, Townshend began writing original material and Daltrey's dominance of the band began to decline.

The other members of The Who expelled Daltrey from the band in late 1965 after he beat up drummer Keith Moon for supplying drugs to Townshend and Entwistle, causing him to re-examine his methods of dealing with people. A week later, Daltrey was admitted back to the band, but was told he'd be on probation. He promised there would be no more violent outbursts or assaults. Daltrey recalled, "I thought if I lost the band I was dead. If I didn't stick with The Who, I would be a sheet metal worker for the rest of my life."

The band's second single, "Anyway, Anyhow, Anywhere" was the only song on which Daltrey and Townshend collaborated, and Daltrey only wrote two other songs for the band during these years. As Townshend developed into one of rock's most accomplished composers, Daltrey's vocals became the vehicle through which Townshend's visions were expressed, and he gained an equally vaunted reputation as a powerful vocalist and riveting frontman. The Who's stage act was highly energetic, and Daltrey's habit of swinging the microphone around by its cord on stage became his signature move.

Daltrey's Townshend-inspired stuttering expression of youthful anger, frustration and arrogance in the band's breakthrough single, "My Generation", captured the revolutionary feeling of the 1960s for many young people around the world and became the band's trademark. Later, his scream near the end of "Won't Get Fooled Again" became a defining moment in rock and roll.

By 1973, he was experiencing considerable success with his solo projects and acting roles. While others of the band worked on recording the music for ''Quadrophenia'', Daltrey used some of this time to check The Who's books. He found they had fallen into disarray under the management of Kit Lambert and Chris Stamp. Kit Lambert was also Pete Townshend's artistic mentor and challenging him led to renewed tension within the band. During a filming session (in an incident that Daltrey claimed was overblown) Townshend and Daltrey argued over the schedule. Townshend whacked the singer over the head with his guitar and Daltrey responded by knocking Townshend unconscious, again with a single blow.

With each of The Who's milestone achievements, ''Tommy'', ''Who's Next'', and ''Quadrophenia'', Daltrey was the face and voice of the band as they defined themselves as the ultimate rebels in a generation of change. When Ken Russell's adaptation of ''Tommy'' appeared as a feature film in 1975, Daltrey played the lead role, was nominated for a Golden Globe Award for "Best Acting Debut in a Motion Picture" and appeared on the cover of ''Rolling Stone'' magazine on 10 April 1975. Afterward, Daltrey worked with Russell again, starring as Franz Liszt in ''Lisztomania''. He worked with Rick Wakeman on the soundtrack to this film, writing the lyrics to three songs and also performing these, as well as others. The Who went on after the death of Keith Moon in 1978, but tension continued as Daltrey felt new drummer Kenney Jones was the wrong choice for The Who. In 1980 Daltrey completed a major project for The Who Films, Ltd., a dramatic film called ''McVicar'' about U.K. bank robber John McVicar. Daltrey produced and starred in the film, and completed a striking soundtrack with other members of the band. This success, along with other stresses, contributed to a deterioration of relations with Townshend, and The Who retired from active touring in 1982 when Townshend felt he was no longer able to write for the band. The band continued to work together sporadically, reuniting for the Live Aid concert and recording songs for Daltrey's solo album ''Under a Raging Moon'' and Townshend's solo album ''Iron Man''.

Daltrey turned to working as an actor, completing such high profile projects as ''The Beggar's Opera'' and ''The Comedy of Errors'' for the BBC. He also appeared in several film, television and stage productions during this period, including Mike Batt's ''The Hunting of the Snark'' (1987), ''The Little Match Girl'' (1987), ''Buddy's Song'' (1990), which he also produced, and ''Mack the Knife'' (1990). In 1991 he received a Grammy Award with The Chieftains for ''An Irish Evening: Live at the Grand Opera House, Belfast''.

The Who returned in 1989 with their 25th Anniversary Tour, which was also the 20th anniversary of the rock opera ''Tommy''. The tour featured a large backing band and guest appearances by Steve Winwood, Patti LaBelle, Phil Collins, Elton John, and Billy Idol. Although Daltrey experienced severe health problems due to an abdominal hemangioma, he managed to complete the tour. He continued to work on stage and screen during this period, completing projects such as ''The Wizard of Oz in Concert: Dreams Come True'' (1995) appearing as the Tin Woodman alongside Nathan Lane, Joel Grey, Natalie Cole, and Jewel Kilcher as Dorothy. During this time, he also began to appear in U.S. television shows.

In 1994 Daltrey celebrated his 50th birthday by performing a two-night spectacular at Carnegie Hall titled ''A Celebration: The Music of Pete Townshend and The Who,'' and popularly called ''Daltrey Sings Townshend''. The show was produced by Daltrey's manager at the time, Richard Flanzer. The Who's music was arranged for orchestra by Michael Kamen, who conducted The Juilliard Orchestra for the event. Bob Ezrin, who produced Pink Floyd's ''The Wall'' CD, among other famous albums, produced the live CD. Pete Townshend, John Entwistle, Eddie Vedder (who performed a special acoustic tribute), Sinéad O'Connor, Lou Reed, David Sanborn, Alice Cooper, Linda Perry, The Chieftains and others performed as special guests. Michael Lindsay-Hogg directed the telecast, which was aired on satellite TV. The concert, at the time, was the fastest sell out in the famed venue's history. The event was followed by a major tour financed by Daltrey and including John Entwistle on bass, Zak Starkey on drums and Simon Townshend on guitar. Although the tour was considered an artistic success, it failed to make a profit due to the expense of providing extraordinary musicians and orchestras in every city to replicate the Carnegie Hall event. Significantly, the tour attracted attention to songs from The Who's rock opera ''Quadrophenia'' and gathered support for a staging and major tour of the rock opera in 1996-1997.

In 1996 Pete Townshend was approached to produce ''Quadrophenia'' for The Prince's Trust concert at Hyde Park, London. He at first planned to perform the opera as a solo acoustic piece using parts of the film on the screens, but after receiving offers of financing decided on a full-out production. When he first contacted Daltrey to request a collaboration, Daltrey refused, but after some discussion, he agreed to help produce a one-off performance. The opera was performed with a large backing band, including John Entwistle on bass, Pete Townshend on acoustic guitar and vocals, Zak Starkey on drums, Rabbit Bundrick and Jon Carin on keyboards, Simon Townshend on guitar and special guests including David Gilmour, Adrian Edmondson, Trevor McDonald and Gary Glitter. A horn section and backing vocalists were added, along with other actors. On the night before the show, Daltrey was struck in the face by a microphone stand swung by Gary Glitter. The accident fractured his eye socket and caused considerable concern that he might not be able to perform safely, but Daltrey donned an eye-patch to cover the bruises and completed the show as scheduled. Afterward, Townshend decided to take the production on tour in 1996-1997 as The Who.

After their ''Quadrophenia'' tour was successful, the band returned as The Who in a stripped-down, five-piece lineup for tours in 1999-2000. The band continued to work together, making a major impact at The Concert for New York City. After Entwistle's death in June 2002, both Daltrey and Townshend decided to continue with an already planned tour as The Who. Bassist Pino Palladino was chosen to fill Entwistle's place. The band also completed a brief tour in 2004. In 2006, they released their first studio album of new material in twenty-four years, ''Endless Wire,'' leading some fans and critics to say that the highly acclaimed artistic tension within The Who lay between the two principals Daltrey and Townshend. The band completed a world tour in 2006-2007 to support this album.

In February 2010, Townshend and Daltrey, headlining as The Who, performed the halftime show at Super Bowl XLIV in front of 105.97 million viewers across the globe. In March 2010, Townshend and Daltrey, along with an extensive backing band, performed ''Quadrophenia'' at the Royal Albert Hall in London as a tenth anniversary charity benefit for the Teenage Cancer Trust. Eddie Vedder of Pearl Jam sang the part of the Godfather, and Tom Meighan of Kasabian sang the part of Aceface. Tom Norris, London Symphony Orchestra Co-Principal Second Violin, played violin for the production. On 3 July He performed the Opening act for Eric Clapton at DTE Energy music theatre.

Rock persona

When Colin Dawson left The Detours, Roger Daltrey took over as lead vocalist, giving up his guitar. The band as a whole acknowledged Moon and Entwistle's innovation and talent on their instruments, and Pete Townshend had begun writing hit songs, but Daltrey struggled to find a voice to present their new music. His expression carried Townshend’s material well enough in recordings, and at the time his live persona suited the small club scene where The Who made their beginnings. However, this presentation lacked the confidence of later years, and he was arguably still a singer seeking a voice.

The Who first toured North America in 1967, appearing at the Monterey Pop Festival, and Daltrey brought back new experiences in dealing with larger venues and stages. 1968 proved a pivotal year with Townshend's movement beyond the quick three-minute single towards his goal of writing a rock opera. Beginning with "A Quick One (While He's Away)", a nine-minute mini-opera, Daltrey’s performance in ''The Rolling Stones Rock and Roll Circus'' showed him with a new confidence in dealing with Townshend’s material. In 1969, The Who’s first major rock opera ''Tommy'' was released, and Daltrey found a voice for the lead character that carried The Who to world stardom at such music venues as Woodstock and the Isle of Wight Festival, and in opera houses around the world during the next two years. Townshend later remarked in the film ''Amazing Journey'', that with ''Tommy'', and with Daltrey's adaptation to portraying the character on-stage, the singer evolved from what was essentially a tight, tough guy to one who outstretched his arms, bared his body to the audiences, and began to truly engage them. "With this change, the band was at last complete," he summed up. "It was a marriage," Townshend emphasised, "but it was a ''good'' marriage. ''Those'' were glorious years". Daltrey confirmed this, saying, he felt at last accepted, displaying a newly energetic role and sound during live performances.

Daltrey has long been known as one of the most charismatic of rock’s frontmen. His stage persona embraces the audience and projects The Who’s repertoire as heroic anthems and touching ballads that have gripped the emotions and imagination of audiences for over 40 years. According to Pete Townshend, "He almost invented the pseudo-messianic role taken up later by Jim Morrison and Robert Plant." Daltrey projected a naturally masculine and yet refined power that proved to be one of the most potent in rock and roll history. This persona has earned him a position as one of the “gods of rock and roll” His appearance in the early 1970s included striking, long blond curly hair with a sexual magnetism built for teenage appeal. This look would become markedly more masculine as the '70s and '80s progressed. Daltrey developed a trademark move of swinging and throwing his microphone through a complex sequence, matching these sequences with the tempo of the song that was being played at the moment. Although Daltrey reduced the athleticism of his performance in later years, his presentation remained dynamic and gripping.

Musical equipment

Roger Daltrey hand-built his first guitar from a piece of plywood and also built guitars for the band in the early days when they had little money to buy equipment. As lead guitarist for the Detours, Daltrey played a 1961 Epiphone Wilshire solidbody electric guitar which he later sold to Pete Townshend on an easy payment plan. After he took over vocals for the band in the sixties and during the seventies, Daltrey rarely played guitar on stage; however, he played a Martin acoustic guitar for appearances to promote his solo album ''Daltrey''. He began playing guitar with The Who again during the band's tours in the eighties, and used a Fender Esquire to play a second guitar part for the song "Eminence Front" on The Who's 1982, 1989 and later tours. During the 1989 tour, he played a Gibson Chet Atkins SST guitar for the song "Hey Joe." During The Who's 1996-97 Quadrophenia tour, Daltrey played a Gibson J-200 acoustic guitar.

After 1999, it became more common for Daltrey to play guitar during both The Who and solo shows. He ordered a Versoul Buxom 6 handmade acoustic guitar that he played on The Who's 2002 tour. Daltrey owns a Gibson Everly Brothers Flattop acoustic guitar which he played on The Who and solo tours in the late first decade of the 21st century. On his 2009 tour with No Plan B, Daltrey played Pete Townshend's "Blue, Red and Grey" on an Ashbury cutaway tenor EQ ukulele.

Roger Daltrey is known as one of the harmonica players who brought the instrument out of blues and into popular music. Although the mouth harps that Daltrey uses have varied over the years, brands he has used include Hohner and Lee Oskar harmonicas. Daltrey plays using the blues harp (2nd position) or cross harp technique which originated in blues music.

Daltrey uses Shure microphones with cords which he tapes to reinforce the connection and avoid cutting his hands when he swings and catches the microphone. He commonly uses a standard Shure SM58, but has also used Shure SM78 (in 1981), Shure model 565D Unisphere 1, and Shure model 548 Unidyne IV. Daltrey also uses a hybrid monitoring system with one in-ear monitor supplemented by floor wedges.

Honours

In 1976 Roger Daltrey was nominated for a Golden Globe Award for "Best Acting Debut in a Motion Picture" for his starring role in the film version of The Who's rock opera ''Tommy''. He also performed as a guest on the Chieftains' recording of ''Irish Evening: Live at the Grand Opera House'' which won a Grammy Award for Best Traditional Folk Album in 1993. With The Who, Daltrey received a Grammy Lifetime Achievement Award in 2001 for outstanding artistic significance in music.

In 1990 Daltrey was inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio as a member of The Who. The Rock and Roll Hall of Fame also included three songs that Daltrey recorded with The Who on the list of 500 Songs that Shaped Rock and Roll, including: "My Generation", "Go to the Mirror Boy", and "Baba O'Riley". In 2005 Daltrey received a British Academy of Songwriters, Composers and Authors Gold Badge Award for special and lasting contributions to the British entertainment industry.

In 2003, Daltrey was honoured by ''Time'' magazine as a European Hero for his work with the Teenage Cancer Trust and other charities. In the New Year's Honours List published on 31 December 2004, he was appointed a Commander of the Order of the British Empire for services to Music, the Entertainment Industry, and Charity.

As a member of The Who, Daltrey was inducted in 2005 into the UK Music Hall of Fame. In December 2008, he and Pete Townshend were honoured with America's most prestigious cultural awards as recipients of the 31st annual Kennedy Center Honors in Washington, D.C. by then-President of the United States, George W. Bush. On 4 March 2009, three days after his 65th birthday, Daltrey accepted the James Joyce Award from the Literary and Historical Society of University College Dublin for outstanding success in the music field. On 12 March 2011, he received the Steiger Award (Germany) for excellence in music.

Charities

Roger Daltrey supports many charities both as a solo artist and jointly with other members of The Who. All The Who's Encore Series profits go to young peoples' charities. Roger Daltrey was instrumental in starting the Teenage Cancer Trust concert series in 2000, with The Who actually playing in 2000, 2002, 2004, 2007 and 2010. Daltrey played benefits with The RD Crusaders in 2003, 2004, 2006, 2008; performed with The Who at Live 8 in 2005, for the Nordoff-Robbins Silver Clef benefit in 2005, and for the Los Angeles area City of Hope benefit in 2001 and 2004. The Who played with special guest Michael J. Fox at the 2008 "A Funny Thing Happened on the Way to Cure Parkinson's" benefit.

With The Who, he performed for the Robin Hood Foundation at The Concert for New York City and other benefits in 2001; at Neil Young's Bridge School Benefit in 1999; and in the Quadrophenia Concert for The Prince's Trust in Hyde Park, 1996. In addition, Daltrey performed at benefits in Vail, Colorado, in 1999, and attended a PETA benefit with Sarah McLachlan and Chrissie Hynde in the same year.

Daltrey appeared in The Wizard of Oz in Concert: Dreams Come True in 1995 for The Children's Defense Fund, and at the Freddie Mercury Tribute Concert to benefit AIDS research in 1992. Roger Daltrey's 1994 ''Celebration'' raised funds to support Babies and Children Hospital in New York City, as well.

He sang "Rock and Roll" on a charity single released as ''McEnroe & Cash with The Full Metal Rackets'' for Rock Aid Armenia in 1986, and performed with The Who at Live Aid in 1985 and Concert for Kampuchea in 1979. In 1976, he performed at the Celtic Football Ground in Glasgow, Scotland. An audience of 35,000 attended and a sum of over £100,000 was donated to charity.

Daltrey performed at the first ChildLine Rocks concert at London's IndigO2 on 13 March 2008. In 2009 Daltrey was a judge for the 8th annual Independent Music Awards to support independent artists. In the same year, he appeared again on stage with Michael J. Fox for the "A Funny Thing Happened on the Way to Cure Parkinson's" benefit. In April 2010, he headlined the Imagine A Cure II show honouring the legacy of John Lennon, which raised money for the Puget Sound Affiliate of Susan G. Komen for the Cure breast cancer charity.

Personal life

Daltrey has been married twice. In 1964, he married the former Jacqueline "Jackie" Rickman, and had one child, born in 1964, Simon. The couple divorced in 1968. In 1967, Daltrey's son Mathias was born, the result of an affair with Swedish model Elisabeth Aronsson. In 1967, he met the American Heather Taylor, his current wife whom he married in 1971. Together, they have three children, Rosie Lea (born in 1972), Willow Amber (born in 1975) and Jamie (born in 1981). He also has four granddaughters, Lily, Lola, Ramona and Scarlet; and one grandson, Jonjo. He also has three other children from relationships during the 1960s & '70s.

Daltrey owns a country estate near Burwash, East Sussex, as well as his parents' old home in London. He bought a home in Los Angeles in the early 2000s.

Daltry is a supporter of Arsenal F.C..

Views and advocacy

Daltrey is a supporter of the Countryside Alliance and has played concerts to raise funds for the organisation. Daltrey is a supporter of the Labour Party in Britain, but is strongly critical of its policy of "mass immigration", arguing that the current immigration policies undermine the British working class. He has also expressed his admiration for Queen Elizabeth II ;;

Literary work

Roger Daltrey contributed to a collection of childhood fishing stories published in 1996 entitled ''I Remember: Reflections on Fishing in Childhood''.

Who songs written by Daltrey

Although never a writing force in The Who and overshadowed by the song writing talents of Townshend and Entwistle, Daltrey did contribute a small handful of songs to the band's catalogue during their early career:

"Anyway, Anyhow, Anywhere" (1965)-The Who's second single, co-written by Townshend.

"See My Way" (1966)-Daltrey's contribution to ''A Quick One''.

"Here for More" (1970)-B-side to "The Seeker".

Daltrey also wrote a song called "Crossroads Now" for The Who which grew out of an onstage jam in 1999 after the song "My Generation." Another Daltrey song, entitled "Certified Rose," was rehearsed by The Who shortly before the death of John Entwistle. The band had planned on playing it (as well as Townshend's "Real Good Looking Boy") during their 2002 tour, but plans were halted after Entwistle's death. Although it was rumoured that a studio version was recorded during the ''Endless Wire'' sessions (and might feature Entwistle's basslines from 2002), Townshend later stated that no such recording was made.

"Early Morning Cold Taxi", a song recorded during ''The Who Sell Out'' sessions in 1967 and released in 1994 on the ''Thirty Years of Maximum R&B'' boxset, is credited to Roger Daltrey and Who roadie Dave "Cy" Langston. Some sources report that the song was solely written by Langston. At the time Daltrey and Langston were planning to form a writing-partnership, where all songs written by either of them would be credited as Daltrey/Langston. The partnership produced only one other song—an unreleased demo titled "Blue Caravan." Langston went on to play guitar on John Entwistle's first solo album, ''Smash Your Head Against the Wall'', in 1970.

Solo music career

Daltrey has released eight solo albums. The first was the self-titled ''Daltrey'' in 1973, recorded during a hiatus in The Who's touring schedule. The top single off the album, "Giving It All Away", reached number five in the UK and the album, which introduced Leo Sayer as a songwriter, made the Top 50 in the United States. The inner sleeve photography shows a ''trompe-l'œil'' in reference to the Narcissus myth, as Daltrey's reflection in the water differs from his real appearance. He also released a single in 1973, "Thinking" with "There is Love" on the B-side. Bizarrely, the UK release, with considerable airplay of "Giving it all away" (first lines "I paid all my dues so I picked up my shoes, I got up and walked away") coincided with news reports of the Who being sued for unpaid damage to their hotel on a recent tour, including a TV set being thrown out of the window.

Daltrey's second album, ''Ride a Rock Horse'', was released in 1975 and is his second most commercially successful solo album. Its cover, photographed by Daltrey's cousin Graham Hughes, is remarkable for depicting the singer as a rampant centaur.

When Sayer launched his own career as an artist, Daltrey called on a widening group of friends to write for and perform on his albums. Paul McCartney contributed the new song "Giddy" to ''One of the Boys'', where the band included Hank Marvin, Eric Clapton, Alvin Lee and Mick Ronson. On this cover, another visual trick is played with Daltrey's mirror image, with reference to Magritte's famous painting ''Reproduction Interdite''.

''McVicar'' was billed as a soundtrack album for the film of the same name, in which Daltrey starred and also co-produced. It featured all the other members of The Who (Townshend, Entwistle and Kenney Jones). ''McVicar'' included two hit singles, "Free Me" and "Without Your Love", and is Daltrey's best-selling solo recording.

The title track to ''Under a Raging Moon'' was a tribute to Who drummer Keith Moon, who died in 1978. Each of the album's tracks, including "Let Me Down Easy" by Bryan Adams, expresses the frustration of growing older as only a man who sang "Hope I die before I get old" can. Daltrey is credited as co-writer on "Don't Talk to Strangers," "The Pride You Hide," "Move Better in the Night" and "It Don't Satisfy Me."

On ''Can't Wait to See the Movie'', Daltrey is credited as co-writer on the tracks "Balance on Wires" and "Take Me Home." On ''Rocks in the Head'', Daltrey is credited (along with Gerard McMahon) for co-writing seven of the eleven tracks, including: "Times Changed," "You Can't Call It Love," "Love Is," "Blues Man's Road," "Days of Light," "Everything A Heart Could Ever Want" and "Unforgettable Opera." On this album, Daltrey's voice ranges from a powerful bluesy growl à la Howlin' Wolf to the tender vocals shared with his daughter Willow on the ballad 'Everything A Heart Could Ever Want". This was his first major effort as a song-writer for his own solo albums.

For his compilation album ''Moonlighting'', Daltrey co-wrote the song "A Second Out" with Steve McEwan of the band UnAmerican. The recording features Daltrey's vocals backed by McEwan on acoustic guitar.

In 1992, Daltrey appeared in The Freddie Mercury Tribute Concert, singing the hard rock song "I Want It All", to pay homage to his longlife friend Freddie Mercury, who died the previous year one day after a public announcement that he suffered from AIDS.

Daltrey celebrated his fiftieth birthday in 1994 by performing at Carnegie Hall in two shows (23 and 24 February ) later issued on CD and video called ''A Celebration: The Music of Pete Townshend and The Who'', sometimes called ''Daltrey Sings Townshend'', accompanied by The Juilliard Orchestra, Pete Townshend, John Entwistle, Irish dancers and other special guests. The success of these two shows led to a U.S. tour by the same name, featuring Pete Townshend's brother Simon on lead guitar with Phil Spalding taking bass duties for the first half of each show and John Entwistle playing for the second half. An Australian leg was considered but eventually scrapped.

Daltrey took on a number of other solo projects, including a tour with the British Rock Symphony in 1998, and the Night of the Proms in 2005. Daltrey also worked with the Rock 'n Roll Fantasy Camp, raising money for charities during the final concert.

Besides the songs Daltrey co-wrote for his solo albums, he is credited for co-writing others, including: "Child O Mine" with Gerard McMahon, used on the soundtrack for ''The Banger Sisters'' and on the TV show ''Witchblade''. On the soundtrack for ''Lisztomania'', Daltrey is credited with "Love's Dream", "Orpheus Song" and "Peace at Last."

In 2005, Daltrey had a short weekly series on BBC Radio 2, presenting a personal choice of rock'n'roll favourites. In 2006, he wrote and performed a specially commissioned song, "Highbury Highs", for Highbury Farewell ceremony following the final football match on 7 May at Arsenal Stadium between Arsenal and Wigan, in which Arsenal celebrated the previous 93 years at Highbury, preparing for their move to the Emirates Stadium, Ashburton Grove, the following season.

No Plan B band

Roger Daltrey embarked on a solo tour of the U.S. and Canada on 10 October 2009, officially called the "Use It or Lose It" tour with a new band that he called "No Plan B". The band included Simon Townshend on rhythm guitar and vocals, Frank Simes on lead guitar, Jon Button on bass, Loren Gold on keyboards, and Scott Devours on drums. Eddie Vedder made a guest appearance at the Seattle, WA show on 12 October. In 2010, Daltrey and No Plan B appeared for several dates with Eric Clapton, including Summerfest at Milwaukee, Wisconsin. The band also scheduled additional dates in 2010 without Clapton.

In 2011 the band performed the rock opera ''Tommy'' and other songs at a warm-up show in Bournemouth at the O2 Academy 19 March in preparation for a show scheduled at Royal Albert Hall to benefit the Teenage Cancer Trust on 24 March. Pete Townshend played and sang as a guest at the TCT show. Later in 2011, the band scheduled the "Tommy Reborn" tour of the UK, to be followed by a tour of the US and Canada.

Discography

Collaborations

In 1984, Daltrey appeared on "Bad Attitude", the title track of an album by Meat Loaf, sharing the lead vocal. The following year, he appeared in Barbra Streisand's music video for her single "Emotion", playing Streisand's emotionally uninterested husband.

In 1992, he appeared on The Chieftains' Grammy Award-winning album, ''An Irish Evening: Live at the Grand Opera House''. He also released an album with the Boys Choir of Harlem in 1998 with selections from ''A Christmas Carol''. Also in 1998, Daltrey performed two songs with the Jim Byrnes Blues Band at the Los Angeles Highlander Convention. He borrowed a guitar to play for the songs, after reassuring the owner that he would not break it. Daltrey taught thirteen-year-old Drake Bell how to play the guitar in 1999. Drake later starred in ''Drake and Josh'' and released two albums.

In 2001, Daltrey provided backing vocals for the title track of the Joe Strummer and The Mescaleros album ''Global a Go-Go''. In 2003, he provided backing vocals for thrash-metal band Anthrax on the song "Taking the Music Back" from their album ''We've Come for You All''. The collaboration came about through Anthrax guitarist Scott Ian's girlfriend, Pearl Aday, daughter of Meat Loaf, whose mother was a friend of Daltrey and his wife. In 2005, Daltrey collaborated with the British pop band, McFly to sing his hit song "My Generation".

On 12 January 2009, Daltrey headlined a one-off concert along with Babyshambles at the O2 Academy Bristol for Teenage Cancer Trust. On Sunday 5 July 2009, Daltrey joined Paul Weller onstage at Hop Farm Festival in Kent for an encore of "Magic Bus".

Film and stage career

Film roles

After The Who retired from active work in 1982, Daltrey developed his career in film and on the theatre stage. Daltrey's appearances in over 30 feature films include early starring roles in ''Tommy'', as "deaf, dumb and blind boy" Tommy Walker in 1975; ''Lisztomania'', as Hungarian composer Franz Liszt in 1975, and ''McVicar'', as British armed-robber-turned-journalist John McVicar in 1980.

In 2003, Roger Daltrey starred as the voice of Argon the Dragon Bus Driver in the children's DVD called ''The Wheels on the Bus: Mango and Papaya's Animal Adventure'' from Armstrong Moving Pictures. The DVD featured Daltrey as a costumed children's dragon, who drove a bus for two lost puppets trying to return to their home at the zoo. Daltrey provided vocals for children's classics, such as "The Wheels on the Bus Go Round and Round," in addition to songs written specifically for the home video. He later appeared in two other videos for this series.

Filmography

Roger Daltrey has acted in ads, television and films, and maintains an extensive filmography. A sampling of his films is as follows:

''Tommy'' (Tommy Walker), 1975

''Lisztomania'' (Franz Liszt), 1975

''The Legacy'' (Clive), 1978

''McVicar'' (John McVicar), also Producer, 1980

''The Beggar's Opera'' (Macheath), 1983

''Murder: Ultimate Grounds for Divorce'', 1985

''The Little Match Girl'' (Jeb Macklin), 1987

''Mack the Knife'' (Street Singer), 1990

''Cold Justice'' (Keith Gibson), 1989

''Buddy's Song'' (Terry Clark); also Music Score Composer, Producer, 1991

''If Looks Could Kill - Teen Agent'' (Blade), 1991

''The Freddie Mercury Tribute Concert'', 1992

''Lightning Jack'' (John T. Coles), 1994

''A Celebration: The Music of Pete Townshend and The Who'', 1994

''The Wizard of Oz in Concert: Dreams Come True'' (Tin Man), 1995

''Vampirella'' (Vlad), 1996

''Sliders'' (Col. Angus Rickman), 1997

''Like It Is'' (Kelvin), 1998

''The Magical Legend of the Leprechauns'' (King Boric), 1999

''Dark Prince: The True Story of Dracula'' (King Janos), 2000

''Best'' (Rodney Marsh), 2000

''The Young Messiah - Messiah XXI '' (2000) (DVD)

''Strange Frequency 2'' (Host/Devil), 2001

''Chasing Destiny'' (Nehemiah Peoples), 2001

''.com for Murder'' (Ben), 2002

''That 70's Show'' (Mr. Wilkinson), 2002

''The Wheels on the Bus'' (Argon the dragon), 2003

''Johnny Was'' (Jimmy Nolan), 2006

Television roles

Daltrey has played a number of television roles, including BBC Television Shakespeare as both Dromios in ''The Comedy of Errors'', the police drama series ''The Bill'', the science fiction series ''Sliders'' as Col. Angus Rickman, the ''VH1'' series ''Strange Frequency 2'', ''Witchblade'' as the devil, and was a recurring guest star in ''Highlander: The Series'' as Immortal Hugh Fitzcairn, one of the closest friends of lead character Duncan MacLeod. In 1983, he played Macheath, the outlaw hero of BBC TV's production of John Gay's 1728 ballad opera, 'The Beggar's Opera'.

In 1986 he acted in the TV series ''Buddy''. In 1993, He guest-starred (along with Steve Buscemi) in an episode of ''Tales From The Crypt'' entitled "Forever Ambergris". Daltrey appeared as a villain in a 1996 episode of ''Lois and Clark: The New Adventures of Superman''. He also played Nobby Clegg, a character named after the band Nobby Clegg and the Civilians, in the Showtime series ''Rude Awakening''.

Daltrey appeared in an episode of ''The Simpsons'', "A Tale of Two Springfields", as himself along with John Entwistle (Pete Townshend was replaced by his brother Paul for the episode). The Who helped Homer break down a wall he had built through the town of Springfield.

A self-described history buff, Daltrey often involves himself in history research related media including television documentaries. ''Pirate Tales'' from 1997, is a documentary/action show about the age of piracy in the 18th century, in which Daltrey impersonated English buccaneer William Dampier in a main role as the narrator throughout the series. In 2003 he hosted the History Channel's ''Extreme History with Roger Daltrey'' talking about historical events and explaining the survival techniques the civilisations treated had available. He also appeared in "That '70s Musical", the 100th episode of ''That '70s Show'' as Fez's musical director.

Daltrey guest starred in a 7 November 2006 episode of ''CSI: Crime Scene Investigation'' ("Living Legend") as Mickey Dunn, a prominent Las Vegas 1970s mob boss who returns to Las Vegas to avenge his attempted murder. The Who's music, and Daltrey's singing, provide the themes for all three of the series in the ''CSI'' franchise every week ("Who Are You" for the original show, "Won't Get Fooled Again" for ''CSI: Miami'' and "Baba O'Riley" for ''CSI: NY'').

In 2005, Daltrey had a cameo appearance as himself in the episode "The Priest and the Beast" in Series 2 of ''The Mighty Boosh''. He is found by the main characters vacuuming a desert, presumably as a "karmic" consequence of leaving Woodstock early and not helping to clean up.

Daltrey has also performed on the soundtrack of a number of films and television shows, most notably ''CSI''. He also appeared in the music video for "Emotion" by Barbra Streisand, although neither he nor The Who were the featured act.

In 2005 he played the part of loblolly boy in the TV drama ''Trafalgar Surgeon''.

Stage roles

Daltrey has appeared in stage in productions including Mike Batt's ''The Hunting of the Snark'' in 1987 as The Barrister, and also in Batt's ''Philharmania'' with the Royal Philharmonic Orchestra in 1998. He appeared in ''The Wizard of Oz in Concert: Dreams Come True'' in 1995 as the Tin Man. Also in 1995 he starred in a three part Bert Coules BBC radio dramatisation of the ''Mutiny on the Bounty'' novels of Charles Nordhoff and James Norman Hall, and in 1996 he starred in a BBC Radio 2 production of ''Jesus Christ Superstar'' as Judas. In 1998, Daltrey played the part of Scrooge in the Radio City Music Hall production of ''A Christmas Carol'' in New York City. In 2003, he starred as Alfred P. Doolittle in a production of ''My Fair Lady'' at the Hollywood Bowl alongside John Lithgow and Melissa Errico.

Producer

In addition to his career as an actor, Daltrey has acted as producer on several films, including: ''Buddy's Song'' (1990), ''McVicar'' (1980), ''Quadrophenia'' (1979) and a project in development ''See Me Feel Me: Keith Moon Naked for Your Pleasure''.

Quotation

Notes

References

Geoffrey Giuliano (1996). ''Behind Blue Eyes: The Life of Pete Townshend.'' Penguin Books, Ltd. ISBN 0-8154-1070-0

Steve Huey, ''Roger Daltrey – Biography'', [ AllMusic.com]

David M. Barling, ''Biography of Roger Daltrey'',

External links

Roger Daltrey as a European Hero in ''Time'' magazine

Daltrey plays solo at Cannes 2009

Audio stream Roger Daltrey King Biscuit Recording, 1985 Concert Vault

Roger Daltrey audio interview segments from 1982

Babyshambles and Roger Daltrey concert photograph by ''SPIN''

Category:1944 births Category:Living people Category:English male singers Category:English singer-songwriters Category:English rock singers Category:English rock guitarists Category:British harmonica players Category:Kennedy Center honorees Category:English rock musicians Category:English tenors Category:English guitarists Category:Grammy Lifetime Achievement Award winners Category:Rock and Roll Hall of Fame inductees Category:English-language singers Category:English songwriters Category:English film actors Category:Commanders of the Order of the British Empire Category:Musicians from London Category:The Who members Category:People from Acton, London Category:People from Chiswick Category:People from Hammersmith Category:British rhythm and blues boom musicians

ca:Roger Daltrey cs:Roger Daltrey da:Roger Daltrey de:Roger Daltrey es:Roger Daltrey fr:Roger Daltrey gl:Roger Daltrey id:Roger Daltrey it:Roger Daltrey he:רוג'ר דלטרי nl:Roger Daltrey ja:ロジャー・ダルトリー no:Roger Daltrey nn:Roger Daltrey pl:Roger Daltrey pt:Roger Daltrey ro:Roger Daltrey ru:Долтри, Роджер simple:Roger Daltrey fi:Roger Daltrey sv:Roger Daltrey

name	Philip Xenidis
born
origin	Toronto, Ontario, Canada
alias	Phil X
instrument	Guitar, Vocals
occupation	Musician, songwriter, guitarist
genre	Hard rock, heavy metal, blues-rock
associated acts	Powder, The Drills, Tommy Lee, Avril Lavigne, Bon Jovi
website	Philx.tv
notable instruments	ESP ViperYamaha SG1820
background	solo_singer }}

Philip Xenidis, better known as Phil X (Born 10 March 1966) is a Greek-born guitarist and co-founder of the Los Angeles-based turbo pop band Powder. He also has a second band, the Drills. He is best known as the guitarist who replaced Rik Emmett in the Canadian rock band Triumph, for the ''Edge of Excess'' album and tour.

An early opportunity in Xenidis's career came when he was asked in 1990 to tour with Randy Coven, whom he met through Aldo Nova; in 1991, he toured the US with Aldo Nova.

Phil X is a prolific session guitarist, having played on albums by Tommy Lee, Methods of Mayhem, Avril Lavigne, Kelly Clarkson, Orianthi,Rob Zombie, Chris Daughtry, Alice Cooper, Thousand Foot Krutch and many others. He wrote the song "Tired" and also played guitar on Tommy Lee's ''Tommyland: The Ride'' album. He has appeared with Lee on Ellen and The Tonight Show with Jay Leno.He's one of the most viewed guitar players, especially amoung youngsters on youtube when presenting vintage guitars for Fretted Americana. He's also known for being very energetic on stage,where he usually throws his guitar in the air and catches it before it hits the ground while playing or even pushes it on his right and makes it spin clockwise, passing through his back and then grabs it back on his left. This can be also seen in the "Up Here" video clip with Powder whereby he adopts a different look with black nail polish and spiked hair .Phil X was featured in the "making of" video for the movie Josie and the Pussycats. He, along with his Powder bandmates, taught the young actresses to appear as if they were actually playing their instruments.

He played guitar for Triumph in his earlier years, replacing Rik Emmett for the ''Edge of Excess'' album and tour. The band folded shortly afterwards. He has performed with Aldo Nova and the band Frozen Ghost. Phil is also the inventor of the "Flip Stick," an innovative replacement for the "whammy bar" on Floyd-Rose-equipped guitars.

Phil X also performs in videos for Fretted Americana (a company that deals and sells vintage guitars and related equipment). In the videos he demonstrates an extensive range of vintage guitars playing some classic rock riffs. In the videos he generally uses two different guitar amplifiers; a 1960's Magnatone 'Tonemaster' and a 1960's Vox AC30, however he has recently started playing 15 and 30 watt clones of the Tonemaster, named the 'Evil Robot' Phil X Custom 214 built by John Kasha and sold exclusively through Fretted Americana. The original Evil Robot Combo 214 now been joined by an Evil Robot Head and Cabinet.

In April and May of 2011, Phil X substituted for Bon Jovi's lead guitarist Richie Sambora who could not be present and was on rehab. He played the last 13 American shows of Bon Jovi's 2011 World Tour.

References

External links

Official Web site of Phil X

Camp Rock Faculty member since 2008

Category:Canadian rock guitarists Category:Living people Category:1966 births

(Shylome 16:01, 29 August 2011 (UTC))

name	College Fall
background	group_or_band
origin	Perth, Western Australia, Australia
years active	2005 – present
label	Varsity Records, Hooked Up Records
genre	Indie Pop
associated acts	JosivacShowbagThe Nordeens
website	Official website
current members	Glenn MustoJodie BartlettSimon BartlettMatt GearySteven Rea
past members	}}

College Fall is a pop band featuring Glenn Musto and Jodie Bartlett. Formed in Western Australia in 2005 out of the ashes of local bands Josivac, Showbag and The Nordeens.

Biography

Glenn Musto was previously the main singer/songwriter in The Nordeens and Showbag. Jodie Bartlett joined Showbag in 2003, in time to record the band’s only album, ''The Town We Loved In''. After Showbag’s disintegration, Musto relocated to England and travelled through Europe and USA performing solo.

The band played its first performance on 31 July 2005 at the Velvet Lounge in Perth. In March 2006 they toured the eastern states of Australia, playing in Adelaide and Melbourne. In June 2006 College Fall commenced their first tour of Europe, playing in the UK (Rock for Tibet, Eat the World festival), Denmark (Byfest, Skanderborg festival), Finland and France before returning to Western Australia in November that year. In 2007 the band undertook an extensive tour of their home state playing in Margaret River, Yallingup, Augusta, Bunbury, Geraldton, Broome and Kununurra before returning to Europe in July. College Fall performed in Italy (Rocca in Musica festival), UK, Denmark (Byfest festival) and Finland.

College Fall released their debut album ''Eleven Letters'' in September, 2007 on Hooked Up Records in the United Kingdom, Rhythm Barrel Records in Finland. In 2008 the album was released in Australia via Varsity Records, in March 2008 and in Japan on ThisTime Records, where it was featured as 'Powerpop Of The Month'. It is a concept album telling an autobiographical story of eleven letters written between two lovers.

The band has spent much of their career touring Australia, the UK and western Europe, either as a duo or four piece. Touring has led to critical acclaim in small pockets of the world including Finland, Denmark, the south-west of the United Kingdom and Western Australia. The band has been often referenced to artists such as Jimmy Eat World, Death Cab For Cutie and Stars.

College Fall has received radio airplay in Australia including high rotation of the track "Gravity" syndicated nationwide on Nova FM, on government youth radio network Triple J and on many community radio stations. The bands music has also been heard on BBC in the UK and Radio Helsinki in Finland.

College Fall received the $10,000 grant for the release of their album ''Keep Your Promises'' (since changed to ''The Curse Of Us'') from the Department of Culture and Arts of the Government of Western Australia. They will record with renowned Sydney producer Michael Carpenter (Youth Group, The Vines, 78 Saab).

College Fall has just completed the recording of their sophomore record ''The Curse Of Us'' which is scheduled for release in 2010.

The band will be touring Europe in June and July 2009 with shows including the Sculpture by the Sea cultural exhibition in Aarhus, Denmark at the request of her royal highness Princess Mary. They will also be returning to Finland for the third time to play in Turku and Helsinki. They will then be performing at the Kansai Music Festival in Japan in September and releasing their new album ''The Curse of Us'' in July 2010 through Varsity Records in Australia.

Discography

Albums

''Eleven Letters'' - Hooked Up (September, 2007), Rhythm Barrel (September 2007) Varsity (March, 2008) Vent (August 2009)

''The Curse of Us'' - Varsity (July, 2010)

EPs

''Demonstration'' (2005)

''Built An Empty Home'' (2006)

''Gravity'' - Ride (2007)

''European Tour EP'' (2009)

References

External links

College Fall @ Discogs

College Fall @ MusicBrainz

Category:Australian pop music groups Category:Western Australian musical groups Category:Musical groups established in 2005

name	Tina Turner
background	solo_singer
birth name	Anna Mae Bullock
alias	Tina Turner
birth date	November 26, 1939
birth place	Nutbush, Tennessee, United States
occupation	Singer, dancer, author, actress
genre	Rock, folk rock, rock pop, pop, soul, gospel
instrument	Vocals
years active	1958–present
label	EMI, United Artists, Capitol, Parlophone, Virgin
associated acts	The Ike & Tina Turner Revue }}

Tina Turner (born Anna Mae Bullock; November 26, 1939) is an American singer and actress whose career has spanned more than 50 years. She has won numerous awards and her achievements in the rock music genre have earned her the title The Queen of Rock 'n' Roll. Turner started out her music career with husband Ike Turner as a member of the Ike & Tina Turner Revue. Success followed with a string of hits including "River Deep, Mountain High" and the 1971 hit "Proud Mary". With the publication of her autobiography ''I, Tina'' (1986), Turner revealed severe instances of spousal abuse against her by Ike Turner prior to their 1976 split and subsequent 1978 divorce. After virtually disappearing from the music scene for several years following her divorce from Ike Turner, she rebuilt her career, launching a string of hits beginning in 1983 with the single "Let's Stay Together" and the 1984 release of her fifth solo album ''Private Dancer''.

Her musical career led to film roles, beginning with a prominent role as The Acid Queen in the 1975 film ''Tommy'', and an appearance in ''Sgt. Pepper's Lonely Hearts Club Band''. She starred opposite Mel Gibson as Aunty Entity in ''Mad Max Beyond Thunderdome'' for which she received the NAACP Image Award for Outstanding Actress in a Motion Picture, and her version of the film's theme, "We Don't Need Another Hero", was a hit single. She appeared in the 1993 film ''Last Action Hero''.

One of the world's most popular entertainers, Turner has been called the most successful female rock artist and was named "one of the greatest singers of all time" by ''Rolling Stone''. Her combined album and single sales total approximately 180 million copies worldwide. She has sold more concert tickets than any other solo music performer in history. She is known for her energetic stage presence, powerful vocals, career longevity, and widespread appeal. In 2008, Turner left semi-retirement to embark on her ''Tina!: 50th Anniversary Tour''. Turner's tour became one of the highest selling ticketed shows of 2008-2009. Turner was born a Baptist, but converted to Buddhism and credits the spiritual chants with giving her the strength that she needed to get through the rough times. Rolling Stone ranked her at 63 on their 100 greatest artists of all time and consider her the ''Queen of the Rock and Roll''.

Early life

Anna Mae Bullock was born in Nutbush, an unincorporated area in Haywood County, Tennessee, on November 26, 1939, the daughter of Zelma Bullock (née Currie), a factory worker, and Floyd Richard Bullock, a Baptist deacon, farm overseer and factory worker. She is of African American, European and a small fraction Native American descent. Bullock long believed her mother had significant Native American ancestry, specifically Navajo and Cherokee. Bullock attended Flag Grove School in Haywood County, Tennessee (the land for the school was sold below market value to the school trustees by Bullock's great great-uncle in 1889). Anna Mae's older sister is named (Ruby) Alline. Their parents took Alline with them when they moved to St. Louis, Missouri, and left younger Anna behind with the grandmother. When Anna was a teenager, she joined her mother and sister in St. Louis following her grandmother's death.

Ike & Tina Turner Revue

In St. Louis, Bullock attended Sumner High School. Around this time, Bullock's sister was taking her to several nightclubs in the city. At Club Imperial one night, Bullock met Mississippi-born rhythm and blues musician Ike Turner and later asked him if she could sing for him. Ike was initially skeptical, but after much persistence on Bullock's part, he decided to let her perform for him. Thus, Bullock became an occasional vocalist in Ike's shows at the age of 18. Going by the name "Little Ann", Bullock was also the spotlight of a soul revue led by Ike Turner and his Kings of Rhythm band.

Mainstream success

In 1960, when a singer scheduled to record the song, "A Fool in Love", did not appear, Bullock stepped in and recorded the vocals instead. "A Fool in Love" was a huge R&B hit reaching No. 2, crossing over to the top 30 of the US pop chart. Ike changed Bullock's name to Tina Turner and that of his band to ''The Ike & Tina Turner Revue''. In 1962, the two married in Tijuana, Mexico. (According to Tina's bio on web site, the couple married in 1958.)

Turner raised four sons — Ike Jr. and Michael (from Ike's previous relationship), Craig (born 1958, from her earlier relationship with Raymond Hill, a saxophone player in Ike's band) and Ronald (fathered by Ike; born 1961).

Throughout the 1960s and into the 1970s, Tina and Ike rose to stardom. As times and musical styles changed, Tina developed a unique stage persona which thrilled audiences of the group's live concerts. Tina and the Revue's backup singers, the Ikettes, wove intricate and electrifying dance routines into their performances and influenced many other artists, including Mick Jagger (for whose 1966 UK tour they opened).

Tina and Ike Turner recorded hits in the 1960s that include "A Fool in Love", "It's Gonna Work Out Fine", "I Idolize You", and "River Deep, Mountain High" with producer Phil Spector in his Wall of Sound style. By the end of the decade, the couple incorporated modern rock styles into their act and began including their interpretations of "Come Together", "Honky Tonk Woman", and "I Want to Take You Higher" to their stage show.

Their high-energy cover version of Creedence Clearwater Revival's 1968 "Proud Mary" remains Turner's signature hit and one of her longest enduring standards. "Proud Mary" was the duo's greatest commercial success, peaking at No. 4 on the Billboard Hot 100 in March 1971. The single eventually won a Grammy for Best R&B Vocal Performance by a Duo or Group.

Decline in popularity

While many of its original recordings failed to make the charts, the Ike and Tina Turner Revue was lauded by the Rolling Stones, David Bowie, Sly Stone, Janis Joplin, Cher, James Brown, Ray Charles, Elton John and Elvis Presley. A one night gig at a small, predominantly black supper club could be followed in the same week by a show at a major venue in Las Vegas or a national TV appearance. Ike acted as the group's manager and musical director, making all decisions and ruling the act with an iron fist. While he was a fine musician and an early rock 'n' roll influence, Ike's control of the Revue's management, recording contracts and performances eventually led to their decline as his drug abuse worsened. This controlling (and often violent) atmosphere caused the musicians and backup singers to come and go frequently. Tina later reported being isolated and physically abused by Ike on a regular basis for most of their marriage.

By the 1970s, Tina's personal life and marriage were falling apart. Ike's drug use led to increasingly erratic and physically abusive behavior. Their act was losing speed largely due to Ike's refusal to accept outside management of their recording or touring, as well as the cost of maintaining his allegedly voracious cocaine habit. Touring dates began to decline and record sales were low; their last success was "Nutbush City Limits", a song penned by Tina Turner about her home town, that reached No. 22 on the Hot 100 and No. 4 in the United Kingdom in 1973.

Having opened his own recording studio, Bolic Sound, following the lucrative success of "Proud Mary", Ike produced Tina's first solo album, ''Tina Turns the Country On'' in 1974. It failed to make an impact on the charts, as did Tina's follow-up solo album ''Acid Queen'' (1975), which was released to tie in with Tina's critically acclaimed big-screen debut in the The Who's rock opera, ''Tommy''.

Tina and Ike had a violent fight before an appearance at the Dallas Statler Hilton in July 1976, where Tina was again physically abused. She left Ike that day, fleeing with nothing more than thirty-six cents and a Mobil gas station credit card in her possession. She spent the next few months hiding from Ike while staying with various friends.

Tina would later credit her new-found Nichiren Buddhist faith and chanting Nam Myoho Renge Kyo, which she adopted while visiting a friend in 1974, with giving her the courage to strike out on her own. By walking out on Ike in the middle of a tour, she learned she was legally responsible to tour promoters for the canceled tour. Needing to earn a living, she became a solo performer, supplementing her income with TV appearances on shows such as ''The Hollywood Squares'', ''Donny and Marie'', ''The Sonny & Cher Show'' and ''The Brady Bunch Hour''.

The divorce was made final in 1978 after sixteen years of marriage. Tina later accused Ike of years of severe spousal abuse and rampant drug addiction in her autobiography ''I, Tina'' that was later adapted for the film ''What's Love Got to Do with It?''. In the divorce, she completely parted ways with him retaining only her stage name and assuming responsibility for the debts incurred by the canceled tour as well as a significant IRS lien.

Life after the Revue

In 1978, Tina released her third solo album (and her first album since her separation from Ike) entitled ''Rough'' on EMI Records. It was a departure from the funky rhythm and blues sound of the Revue, and featured strong readings of rock songs, demonstrating the direction she wanted her musical career to progress. The album did not sell well and received no certifications. 1979's disco-infused ''Love Explosion'' album also failed on the charts.

Tina continued to perform shows around the United States and Europe but without any hit albums, her career continued a downward spiral. In 1982, she teamed up with B.E.F. for a remake of the Temptations' "Ball of Confusion". The producers were impressed by the recording so they persuaded her to record a cover of Al Green's ''Let's Stay Together''.

With the underwhelming performance of "Rough" and "Love Explosion", EMI Records parted ways with Turner. She was unable to immediately secure another major label deal as many US and UK labels felt her popularity had passed. Turner divided her time between appearing at small venues in the US and UK (mainly Las Vegas) to keep herself in the public eye, and she remained quite popular as a stage act.

Return to prominence

In December 1983, Turner's cover of "Let's Stay Together" hit No. 6 in the UK and also became a hit in several other European countries. In March 1984, "Let's Stay Together" hit No. 26 on the US Billboard 100 singles chart. The song entered the top-5 on both the R&B and Dance charts.

In 1984, Turner staged what ''Ebony'' magazine called an "amazing comeback". The album ''Private Dancer'' was released in June 1984, and the hit "Let's Stay Together" would be included on the album.

The second single, "What's Love Got to Do with It", peaked at number one in the US and number three in the UK. It became Turner's only number-one hit in the US.

The single hit the top ten in several European countries. ''Private Dancer'' went on to sell five million copies in the US, and a total of 11 million copies worldwide, though some sources stated the album has sold over twenty million making it her most successful album. Besides "Let's Stay Together" and "What's Love Got to Do With It", the album also yielded the singles "Better Be Good To Me" (US No. 5, UK No. 45); "Private Dancer" (US No. 7, UK No. 26); "I Can't Stand The Rain" (UK No. 57); and "Show Some Respect" (US No. 37). Turner would later win an MTV Video Music Award, two American Music Awards and four Grammy Awards. In February 1985, Turner embarked on her first solo world tour, the Private Dancer Tour, which saw her performing in North America, Asia, Europe, and Australia. She also collaborated on the USA For Africa song "We Are The World" which helped famine victims in Africa.

After the success of ''Private Dancer'', Turner accepted the role of Aunty Entity, the ruler of Bartertown, in the motion picture ''Mad Max Beyond Thunderdome''. Upon its release, the film grossed $36 million and Turner received the NAACP Image Award for Outstanding Actress. In July, Turner performed at Live Aid alongside Mick Jagger. In August, the first single "We Don't Need Another Hero" was released to promote the soundtrack for ''Mad Max Beyond Thunderdome''. The single became a hit for Turner, reaching number two in America and number three in the UK. The song received a Grammy nomination for Best Female Pop Vocal and received a nomination for a Golden Globe Award for Best Original Song. The soundtrack was released and reached the top forty in the US and No. 47 in Canada, and sold one million copies worldwide. In October another Turner soundtrack single, "One of the Living" (US No. 15, UK No. 55), was released. It later won a Grammy Award for Best Female Rock Vocal Performance. In November, a new single was released entitled "It's Only Love", a duet with Bryan Adams. It received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal.

Subsequent releases

Turner continued her widely successful solo career releasing the album, ''Break Every Rule'', in 1986. That same year, Turner published her autobiography, ''I, Tina'', which she talked about her early life and volatile marriage to Ike Turner. Later that summer, the singer received a star on the Hollywood Walk of Fame. Turner's ''Break Every Rule'' yielded the US singles of: "Typical Male", "Two People", "Back Where You Started", "What You Get Is What You See", "Break Every Rule", and "Afterglow". ("Typical Male" and "What You Get Is What You See" were the two singles to crack the US top twenty). The album sold approximately four million copies worldwide, with two million of those in the US. In March of the following year, Turner embarked on her Break Every Rule Tour in Munich, Germany. On January 16, 1988, Turner made history when she entered the Guinness World Records alongside Paul McCartney performing in front of the largest paying audience (over 184,000) to see a solo artist in Maracanã Stadium, Rio de Janeiro, Brazil. In April, Turner's double live album, ''Tina Live in Europe'', was released. In late 1989, Turner released her seventh studio album, ''Foreign Affair'', which included the international smash, "The Best". The single became one of Turner's signature singles. In 1990, she embarked on a hugely successful European tour to promote the album playing to nearly four million fans and touring over 121 shows in Europe.

In 1991, Ike and Tina Turner were inducted into the Rock & Roll Hall of Fame. Phil Spector accepted the award on their behalf. That same year, Turner released a compilation album, ''Simply the Best''. Her modern dance-pop cover of "Nutbush City Limits" hit the top thirty in the UK. In 1993, Turner's life story was turned into a box-office film, ''What's Love Got to Do with It?''. Based on ''I, Tina'', the film painted a dark picture of Turner's marriage to singer Ike Turner and her overcoming the marriage through Nichiren Buddhism and chanting Nam Myoho Renge Kyo. While the film was given mixed reviews, its leading actors Angela Bassett, who played Tina, and Laurence Fishburne, who played Ike, ended up with Academy Award nominations for Best Actress and Best Actor, respectively, for their roles. Turner supervised the film's soundtrack, re-recording several songs from her Ike Turner days including "A Fool in Love", "It's Gonna Work Out Fine", "Nutbush City Limits" and "Proud Mary", but otherwise remained uninvolved with the making of the film, and had no interest in seeing it, telling an interviewer "Why would I want to see Ike Turner beat me up again? I haven't dwelled on it; it's all in the past where it belongs." She recorded a cover of The Trammps' "Disco Inferno" and two newer songs, the Lulu cover, "I Don't Wanna Fight" and the R&B ballad, "Why Must We Wait Until Tonight" (written by Bryan Adams). The soundtrack went platinum in America and yielded Turner's final top ten U.S. single, "I Don't Wanna Fight", which peaked at number nine. Later that year, Turner went out on a sold-out U.S. tour, her first in seven years, to promote the soundtrack. Afterwards, Turner moved to Switzerland and took a year off from the road at the end of the tour. In 1995, Turner returned to recording with the title track for the James Bond film, ''Goldeneye'', written by U2's Bono and The Edge. "Goldeneye" hit the top ten in several European countries. In 1996, Turner's ''Wildest Dreams'' album was released. Due to its later successful world tour and a commercial where she promoted Hanes hosiery, the album hit gold in the U.S. while it went platinum in Europe based on the success of singles such as "Whatever You Want", the cover of John Waite's "Missing You", "Something Beautiful Remains" and the Barry White duet, "In Your Wildest Dreams". In May 1996, Turner embarked on a year-long world tour which again broke concert ticket sales records. The tour lasted into April 1997 and grossed a combined total of $130 million in sales. At the end of the year, Turner and one of her musicians co-wrote an English version of the Italian ballad "Cose della vita" with Italian singer Eros Ramazzotti. Their duet became a European hit. In April 1999, Turner opened at the VH-1 special, ''Divas Live '99'', performing several of her 1980s hits and performing with both Elton John and Cher to "Proud Mary". Turner later remarked that she was recording a new album. In November 1999, Turner released the dance single "When the Heartache Is Over", its parent album, "Twenty Four Seven", was released in Europe the following month. In February 2000, the album was released in America and was certified Gold by the RIAA. Later that year, Turner went out on one of her most successful tours of her career. By tour's end, the Twenty Four Seven Tour had become the highest-grossing tour of 2000 according to Pollstar grossing over $100 million. Later, Guinness World Records announced that Turner had sold more concert tickets than any other solo concert performer in music history.

Recent years

In 2002, Tennessee State Route 19 between Brownsville and Nutbush was named "Tina Turner Highway". In 2003, she teamed up with Phil Collins to record the song "Great Spirits" for the Disney film ''Brother Bear''.

In 2004, Turner released a new compilation, ''All the Best'', and released the single "Open Arms". The song became a modestly successful European hit and a modest R&B hit in America. In 2005, Turner briefly performed on shows such as ''The Oprah Winfrey Show'' and ''The View''. ''All the Best'' became Turner's first album to go platinum in the U.S. in over eleven years.

At the end of the year, Turner was recognized by the Kennedy Center Honors at the John F. Kennedy Center for the Performing Arts in Washington, D.C. and was elected to join an elite group of entertainers. President Bush commented on Turner's "natural skill, the energy and sensuality", and referred to her legs as "the most famous in show business". Several artists paid tribute to her that night including Oprah Winfrey, Melissa Etheridge (who performed "River Deep - Mountain High" , Queen Latifah (who performed "What's Love Got to Do with It?"), Beyoncé (who performed "Proud Mary"), and the Reverend Al Green (who performed "Let's Stay Together"). Winfrey stated, "We don't need another hero. We need more heroines like you, Tina. You make me proud to spell my name w-o-m-a-n," and "Tina Turner didn't just survive, she triumphed." In November, Turner released ''All the Best - Live Collection'' and it was certified platinum by the RIAA.

In early 2006, the ''All the Invisible Children'' soundtrack was released. Turner sang "Teach Me Again" from the ''All the Invisible Children'' soundtrack with Elisa charted at No. 1 in Italy. In May 2007, Turner returned to the stage to headline a benefit concert for the Cauldwell Children's Charity at London's Natural History Museum. This was her first full show in seven years. Jazz pianist Herbie Hancock released an album paying tribute to singer-songwriter Joni Mitchell, entitled ''River: The Joni Letters'' on September 25, 2007, on which Turner contributed her vocals to a version of "Edith and The Kingpin". On October 16, 2007, Carlos Santana released an album entitled ''Ultimate Santana'' which featured Turner singing "The Game of Love", a song originally intended for her to sing, but which was instead released by Santana with Michelle Branch due to demands from the recording label.

On December 12, 2007, Turner issued a brief statement through a spokesperson regarding the death of her former husband Ike Turner: "Tina hasn't had any contact with Ike in more than 30 years. No further comment will be made."

Turner performed with Beyoncé at the 50th Annual Grammy Awards in February 2008. It was Turner's first major public performance since her record-breaking Twenty-Four Seven Tour. In addition, she picked up a Grammy as a featured artist on ''River: The Joni Letters''. On May 5, 2008, she performed in a televised concert and interview for the Oprah show at Caesar's Place in Las Vegas with long time friend Cher.

Turner embarked on her Tina!: 50th Anniversary Tour on October 1, 2008, which began on in Kansas City, Missouri at the Sprint Center. The album, ''Tina!: Her Greatest Hits'', was released in support of the tour.

In 2009, Turner participated in the ''Beyond'' singing project with fellow musicians Regula Curti, Seda Bagcan and Dechen Shak Dagsay. This CD combined Buddhist chants and Christian choral music along with a spiritual message read by Turner. The album was released only in Germany and a handful of other countries.

A new live album was released by Parlophone in September 2009 entitled ''Tina Live''. The double disc set included the full concert recorded in the Netherlands as part of her 50th Anniversary Tour on DVD and selected tracks on CD. It is only Turner's second live album with the first, ''Tina Live in Europe'', being released twenty years previously in 1988.

In April 2010, Turner once again rose to the top of the UK and Scottish singles charts with her 1989 hit record ''The Best'', following an International campaign by her dedicated fans and the supporters of ''Rangers Football Club'' to send the hit to number one in the charts. It subsequently peaked at positions number nine in the UK Singles Chart, number nine in the UK Downloads Chart, and number one in the Scottish Chart.

Personal life

Tina is the younger of two sisters. Her elder sister, (Ruby) Alline Selico (December 1, 1936 – September 4, 2010), helped to contribute to her sister's recordings with Ike Turner, co-writing several songs including the charted hits, "Bold Soul Sister" and "Funkier than a Mosquito's Tweeter".

Turner also had a half-sister, Evelyn Currie, who died in a car crash alongside her cousin Margaret while Turner and Alline were teenagers. Turner barely knew her father, who moved to California after splitting from Turner's mother. Her mother also left Tennessee to live in St. Louis, leaving Turner and her sister to live with their grandmother. Turner stayed behind in Tennessee while sister Ruby (known to family and friends by her middle name), left Tennessee and moved to St. Louis to be near their mother. Turner spent some time as a domestic in Ripley.

In 1956, before Turner turned 17, her grandmother died. At the funeral, Turner was reunited with her mother, who offered to give her a new life in St. Louis. Turner's relationship with her mother grew estranged over the years. Turner, however, has said that the last times she talked to her mother, who died in October 1999, were on good terms.

Turner met Ike Turner in 1956 at a nightclub. Two years later she joined Ike's band. In 1958, a relationship with saxophonist Raymond Hill produced Turner's first child, Craig Bullock (renamed Craig Turner after Turner married Ike). A year later, Turner became romantically involved with Ike. She had Ike's baby; Ronnie Turner, born in 1960. After marrying Ike in 1962, Turner became the adoptive mother of two of Ike's previous children, Ike Jr. and Michael. Turner's much-publicized marriage to Ike was volatile and violent. Over the years Turner would accuse Ike of physically beating her, emotionally abusing her, raping her, and even stubbing cigarettes out on her body.

In 1968, Turner attempted suicide while on tour in Los Angeles, swallowing a reported 90 sleeping pills. She was rushed to the hospital and revived. Later, after still enduring Ike's abuse, a close friend introduced Turner to Buddhism in 1971. Three years later, Turner converted to the Buddhist faith. Finally, in July 1976, Tina left Ike after a violent altercation while en route to a hotel in Dallas, in which she was beaten by Ike. Turner sought refuge in a friend's apartment while Ike was searching for her.

After several months, Ike decided to stop searching. Turner filed for divorce and offered to leave Ike all the couple's monetary assets, but told the courts she wanted to keep the stage name Ike had given her in 1960, as she had worked very hard to make the name ''Tina Turner'' famous. The divorce was finalized in March 1978, and the courts allowed her to keep her stage name.

Awards and accolades

Turner was listed on ''Rolling Stone'''s list "The Immortals — The Greatest Artists of All Time". Turner is a Rock and Roll Hall of Fame inductee, and two of her recordings, "River Deep - Mountain High" (1999) and "Proud Mary" (2003), are in the Grammy Hall of Fame. Turner has won 8 Grammy Awards.

Bryan Adams, who toured with her on the Private Dancer Tour, praised Turner's live performances, saying, "I never saw Tina walk through a performance, she always put on a great show, and was gracious and grateful to her audience."

Her legs were noted specifically as she was honored by President George W. Bush.

Discography

Studio albums

''Tina Turns the Country On!'' (1974)

''Acid Queen'' (1975)

''Rough'' (1978)

''Love Explosion'' (1979)

''Private Dancer'' (1984)

''Break Every Rule'' (1986)

''Foreign Affair'' (1989)

''Wildest Dreams'' (1996)

''Twenty Four Seven'' (1999)

Other albums

Soundtracks

''Tommy'' (1975)

''Mad Max Beyond Thunderdome'' (1985)

''What's Love Got to Do With It'' (1993)

Live albums

''Tina Live in Europe'' (1988)

''VH1 Divas Live '99'' (1999)

''Tina Live'' (2009)

Compilation albums

''Simply the Best'' (1991)

''The Collected Recordings'' (1994)

''All the Best'' (2004)

''Tina!'' (2008)

''The Platinum Collection'' (2009)

Tours

1978–1979: Wild Lady of Rock Tour

1980–1981: Various Shows

1982–1984: Nice 'n' Rough Tour

1985: Private Dancer Tour

1987–1988: Break Every Rule Tour

1990: Foreign Affair Tour

1993: What's Love? Tour

1996–1997: Wildest Dreams Tour

2000: Twenty Four Seven Tour

2008–2009: Tina!: 50th Anniversary Tour

Filmography

Film
Year	Film	Role	Notes
1970		Herself	Documentary
1971		Herself
1975		The Acid Queen
1976	''All This and World War II''	Herself	Documentary
1978		Our Guests at Heartland
1979	''John Denver and the Ladies''	Herself	Variety Show
1985	''Mad Max Beyond Thunderdome''	Auntie Entity	Won (1986) - NAACP Image Award for Outstanding Actress in a Motion Picture
		Herself	Singing voice for Angela Bassett, also archive footage
''Last Action Hero''	The Mayor
Television
Year	Title	Role	Notes
1966	''The Big T.N.T. Show''	Herself	Documentary
1970	''It's Your Thing''	Herself	Documentary
1971	''Soul to Soul''	Herself	Documentary
2000	''Ally McBeal''	Herself	cameo appearance one episode: "The Oddball Parade"

References

External links

Tina Turner's Entry on the St. Louis Walk of Fame

Category:1939 births Category:Actors from Missouri Category:Actors from Tennessee Category:African American female singers Category:African American rock musicians Category:African American singers Category:American Buddhists Category:American dancers Category:American expatriates in France Category:American expatriates in Germany Category:American expatriates in Switzerland Category:American expatriates in the United Kingdom Category:American people of European descent Category:American pop singers Category:American rhythm and blues singers Category:American rock singers Category:American singers of Native American descent Category:American soul singers Category:Converts to Buddhism Category:Female rock singers Category:Grammy Award winners Category:Ike & Tina Turner members Category:Living people Category:Music of St. Louis, Missouri Category:Musicians from Missouri Category:Musicians from Tennessee Category:People from Haywood County, Tennessee Category:People from St. Louis, Missouri Category:Rock and Roll Hall of Fame inductees Category:Former Baptists

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